Bradluke, I think you are right on this topic. The wood is dense, heavy and essentially inert. When you connect your gear via pointed cones into/onto the wood, it stablizes the equipment, thereby dampening whatever vibration the gear may be experiencing. With tubed gear, in my case, a preamp with microphonic prone, 60+ year old 6SN7s, holding it still, is important. Some people may call this "draining" vibration. I grant you that poetic license should not be a license to steal, in the way we sometimes see it used.
Mapleshade boards under speakers
Hi,
Anyone try these, either the finished or unfinished, 2 or 4", with isoblocks or brass feet?
My floors are soft yellow pine, and I've made overall improvements using a panel of birchply under them, wondering what the maple would do? He certainly makes great claims for them.
Thanks
Chas
Anyone try these, either the finished or unfinished, 2 or 4", with isoblocks or brass feet?
My floors are soft yellow pine, and I've made overall improvements using a panel of birchply under them, wondering what the maple would do? He certainly makes great claims for them.
Thanks
Chas
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- 84 posts total
- 84 posts total