Magico A3 vs. Joseph Audio Perspective vs. Spendor D9


Hi All,

I have been doing some research over the past while and am currently in the midst of a search for my next floorstanding speaker that costs around ~$10k. My other thread that I posted in this forum gave me a lot to consider. Rather than post there, I figured a most focused thread would be a good idea. Now, I have distilled my choices to these 3 choices... I think.

Power: I will be powering the speakers with a SET amp (48W per channel).
Sources: Most of my sources are digital (Roon/Tidal). I mostly listen to jazz, classical and female vocals. I would appreciate a speaker that provides that good, snappy bass where I don't need a subwoofer.
Room: Large room (will be in the living room that opens up to the kitchen and then the dining room). Aesthetics do matter here.

I have received a ton of help through the forums already during my search and have now narrowed down my speaker choices to (in no particular order):

  • Magico A3 - No issues driving these speakers with my amp. Tested and they sounded wonderful. Very analytical and super clear details. Tight bass as well but maybe more weighted in the clarity/details than warmth, even with my tube amp.
  • Joseph Audio Perspective - No dealers in WA or OR so no way to test these but have heard wonderful things about these speakers. Sounds like imaging/sound stage is a strong suit along with clarity. I wonder how bass performance is though as these have smaller woofers compared to my other choices.
  • Spendor D9 - Have not heard these speakers yet but am trying to find a local dealer that has them in stock.
Another one that I am still thinking about is the Daedalus Argos but I would like to hear some feedback on the top 3 at this time.

Thanks!
freesole

Any reason the ProAc D48's didn't make your list?  They are often listed as the D9's close rival.

Thank being said, I auditioned the D7's (not the 9's) against Spendor Classic 100 (effectively, mk III of the SP100) this summer, and preferred the 100's by a significant margin...

@prof

Lack of grain with JA Perspectives?? Out of SEAS magnesium drivers? You got to be kidding? Just look at SP measurements of these speakers, and the nasty midrange breakup at only 5KHz (!!). It is only 15db down in level (we hear down to -60db). You keep feeding this forum with misleading information. I wonder if you actually listened to any of these speakers. Your subjective description of them is in stark contrast to their objective performance.
@sciencecop -- I've also heard several JA speakers at home, in dealers, and at shows (including the Perspectives with my own music), and I've never heard anything indicating breakup or distortion in any of the models I've heard.  Nor have I read any reviews that indicate anything like that as well.  Plus, those highly regarded SEAS magnesium drivers are used in many, many high-end speakers, which I seriously doubt would be the case if they had a serious and audible flaw.  Have YOU heard JA speakers at length in a room and system you're familiar with?  Or are you one of those guys who think you can tell what a component sounds like by looking at measurements alone?
I have to agree with Prof on this one.  The measurements you refer to as their objective performance did not appear in my objective listening of them in the past.  I have listened to all three of freesole’s well researched and thoughtfully chosen selections and each have traits that I love.  The Spendors happened to work for me a little better than the others in my system. Your choice is one between three outstanding choices. 
@soix

I can’t tell what a product would sound like based on measurements, but I can definitely tell that a gross breakup at 5K will sound awful. Of course I heard JA speakers, and sure enough, it is extremely audible, on all of JA speakers that are using these drivers (and just about anyone else who uses them). The fact that you don’t hear it, doesn’t mean it is not there (and audible).Things always sound the way they are measured, you just need to know how to correlate subjective and objective input.