Radikal Linn LP12 or Palmer 2.5?


The motor of my 25 year old LP12 just conked out and I was planning to use this as an opportunity to get it keeled and radikalized, until I recently went to an audio show and heard a Palmer 2.5 with an Origami arm that sounded fabulous.  I’ve never heard a fully upgraded LP12, but I’ve been living with my Cirkus/Ekos/Linto/Lingo version for some time.  After hearing the Palmer, I thought it might be time for a new direction, but I understand the Linn upgrades to be quite dramatic. I probably won’t be able to do a A/B comparison, so if anyone out there has has a chance to directly compare the two, I would love to hear your thoughts.  This is going to be a big expenditure for me either way and it will likely be my last turntable, so thanks in advance for any insights you may be willing to share.
latenitecity
I have heard both tables. The Palmer is very good. However, to my ears, the Full spec LP12 Radikal D is at least as good, and depending on one’s musical taste, even better than the Palmer (particularly for jazz).
I think the Origami arm is a good arm, but I don’t think it is really substantially better than the Ekos SE-1. OTOH, I do think what the Radikal brings to the speed accuracy of the Linn, is superior to the speed control of the Palmer. Note, I am biased as I had a choice to do exactly what you are asking about, and my LP12 is still with me...with the upgraded Radikal D. 
Listen to both tables if you can, neither are a bad choice, but to my ears, it’s the Linn all the way.


Thanks very much for your reply, daveyf. Really appreciate it.  I hope to hear the full spec LP12 as well before making the call, but there will be so many variables between that experience and the Palmer experience (e.g., different cartridge, electronics, speakers, room, and month) that I don’t know how meaningful it will be.

All I know at this point is that there were quite a few high end turntables at the audio show I attended (you would know the names), and most of them didn’t make much of an impression on me. The one standout exception was the Palmer room, which I returned to three times and was very favorably impressed each and every time. I can’t quite explain what made it so compelling, but everything about the performances had that very direct “suspended in time” feeling one gets at a particularly good live performance.  Hopefully, the top of the line LP12 will be able to accomplish this as well. (Or maybe, hopefully not - since that would make my decision a lot easier!)
Excellent/timely discussion as I have had my Cirkus/Lingo/Ekos/Rhea/Shelter  for quite sometime, and listened to the Radical/Ekos SE/Keel/Kandid combo at my local dealer earlier this afternoon.  I went to hear the cartridge primarily but you know how that goes.  This is not the first time he has emphasized the radical upgrade before the cartridge, I'm just not convinced it is significantly better than the Lingo or should be more important than the cartridge...……...I'd be glad to hear your opinion. 
So, xagwell, what did you think of the difference between your LP12 setup (which is very similar to mine) and the maxed out version your dealer demonstrated?  Dramatic or incremental improvement?