Radikal Linn LP12 or Palmer 2.5?


The motor of my 25 year old LP12 just conked out and I was planning to use this as an opportunity to get it keeled and radikalized, until I recently went to an audio show and heard a Palmer 2.5 with an Origami arm that sounded fabulous.  I’ve never heard a fully upgraded LP12, but I’ve been living with my Cirkus/Ekos/Linto/Lingo version for some time.  After hearing the Palmer, I thought it might be time for a new direction, but I understand the Linn upgrades to be quite dramatic. I probably won’t be able to do a A/B comparison, so if anyone out there has has a chance to directly compare the two, I would love to hear your thoughts.  This is going to be a big expenditure for me either way and it will likely be my last turntable, so thanks in advance for any insights you may be willing to share.
latenitecity
Excellent/timely discussion as I have had my Cirkus/Lingo/Ekos/Rhea/Shelter  for quite sometime, and listened to the Radical/Ekos SE/Keel/Kandid combo at my local dealer earlier this afternoon.  I went to hear the cartridge primarily but you know how that goes.  This is not the first time he has emphasized the radical upgrade before the cartridge, I'm just not convinced it is significantly better than the Lingo or should be more important than the cartridge...……...I'd be glad to hear your opinion. 
So, xagwell, what did you think of the difference between your LP12 setup (which is very similar to mine) and the maxed out version your dealer demonstrated?  Dramatic or incremental improvement?
@xagwell The Linn protocol is to upgrade from the inside out...so the power supply first, then the sub chassis then the arm and cartridge last.

I replaced my Valhalla with the Radikal D...a huge upgrade! But here’s the thing, like many large improvements, the actual sum of the improvement isn’t that obvious until after a little time has gone by. It is then that you begin to hear the many differences...as more and more LP’s hit the platter! So, IME, the Radikal D brings the following: much greater inner detail, speed accuracy that increases imaging precision and timbre reproduction. Lastly, we have the biggest improvements in my experience....the increase in overall dynamics. This isn’t quite as noticeable until everything else in the system is dialed in. So, if your amps or preamp, or speaker synergy, aren’t up to the task, this aspect will probably go unnoticed!
With a more resolving cartridge as the final step, all of the benefits of the Radikal become even more evident!
You heard a snippet of the reproduction when you went to hear the Radikal, and most likely did not AB against your Lingo at the same time. I believe IF you had done that...and the system was resolving enough, the difference would have been very obvious and as extreme as I am describing!
Linn charges a lot for their Radikal D upgrade, for very good reason IMHO.
Hi again, daveyf.  If I understood xagwell’s post, what he heard was the maxed out LP12 (Radikal/Keel/Ekos SE/Kandid - each of which would be an upgrade to my LP12).  That’s why I was interested in how it compared to the level of LP12 he currently has (which is very similar to my current model). I’m really curious  about xagwell’s impression of the top of the line Linn rig since that is what I will probably go with (should I choose to stay with Linn rather than take the Palmer 2.5 / Audio Origami PU7 path).  That said, your comments on Linn’s upgrade philosophy make perfect sense to me and are very helpful.  Thanks again for your input.
@latenitecity There is a variable here that occurs to me. If you are happy with the sound of the Origami vs the Ekos SE, then I would still go with the Linn platform. However, here is the one thing that I somewhat dislike about the LP12...it locks you into a light weight arm that the old fruit box approves of. This is not the case with the Palmer. As such, if one wanted to go with a super arm...like a Basis Superam9 or a Triplanar etc., then this would be an option with the Palmer...and not with the Linn. Having said that, we are talking of a considerable expenditure over and above the cost of either the Linn arm, or the Origami arm. I utilize a custom WTA ’Black’ arm with Nordost Tyr phono cabling on my Linn. Many folks think this combo easily sees off a Ekos SE! I am not sure about that, but one thing I do know, is that if i wanted to opt for an arm like the one's mentioned above, and were willing to dig into my wallet to do so, then these arms are not an option with this LP12 platform. The biggest drawback IME with the LP12; one that I am ok with based on the superb sound I am getting with this deck, but a drawback nonetheless. Something to perhaps consider.