Who has Luv for the Lyngdorf 2170 and is thinking about the 3400.


Hello All,
I’m coming up on 40 yrs in this hobby,and or obsession of ours,and I started with a pair of Khorns and Macintosh at the age of 12 and Offcourse owned a ton of different gear over the yrs.
I bought a 2170 a little more than 6 months ago and I enjoyed it so much that I quickly realized I don’t really need anything else,solid state,tubes,or even dac’s anymore.I could step off that silly merry go round of amplification and just enjoy music.I was able to utilize the extra money and time and put together a really great sounding network audio system that rivaled the best in analog that I have ever had,I was mainly a analog guy all of these yrs but finally gave it up,I even sold my longtime record collection of 3k records which included many Hot Stampers that I purchased and also several that I found on my own.

So who Luv’s the 2170 and is maybe also thinking about the new 3400.

Happy Listening,
Kenny.

kdude66
Found this little nugget on the following thread. So maybe the 3400 is not ideal for my room, due to the treatments.

https://www.avforums.com/threads/lyngdorf-discussion-thread.1580956/page-4

" This is why after spending 20 years or so learning about room design, we no longer recommend specialist acoustic design and treatment in the majority of rooms where Steinway Lyngdorf systems will be used.

If you read the threads where Steinway Lyngdorf systems are demonstrated at shows you will notice they are always in completely untreated rooms. Many other manufacturers spent a fortune building the best spaces to show off their systems at shows and still don’t get the same feedback as Steinway. See below. Compare the cost of the systems and the room designs and Steinway Lyngdorf systems are often a fraction of the price of the high end alternatives being show."
My impression of that statement is, a Lyngdorf is capable of correcting an untreated room to level that it will sound better than competitors where the room has treatment. Not, if you have a treated room, don't use a Lyngdorf. A treated room should require less room correction by the Lyngdorf. In fact my 2170 is in a fully treated room and I actually don't use roomperfect at all. The Lyngdorf sounds awesome in it with no correction. IMHO the less signal processing required, the better. But if you need proecessing, RoomPerfect works extremely well.
I think you are right @bullitt5094.I will add that I used it in a treated room with RP on to even greater sonic pleasure in my old dedicated GIK tricked out room. 

I aways think you should set up your speakers and room  for success, then run RP. 
Feedback from Lyngdorf on whether Room Treatments can be used with Lyngdorf Room Perfect:

"hi
you do not ’need to’ remove anything
- but if you have ex. a bass-trap, we would recommend removing it, as having RoomPerfect removing energy from the signal is better for the speakers, than removing energy from the room through the bass trap

Best regards
Flemming Smith
LYNGDORF AUDIO"
Didn't work that way in my room. But as we know, every room is different. Why don't you try it both ways, as I did, and decide what you like. Room Perfect may be the only correction system that may be able to pull this off. But it seems to me, not having the system try to eliminate areas of cancellation electronically vs suppressing the waves to start with, has to be harder on the speakers. All I know is my room has very good imaging all the way across the sound stage. It actually startles people. Now a lot I attribute to my speakers, which is another variable in the whole situation. Hopefully yours will sound better untreated. More money Lyngdorf saves you! So far you don't need a five figure D/A or expensive room treatment. The amp just paid for itself.