I know that there is some polarity jumble out there. In the 1980s early CD period, the BBC did a study that determined "most people" preferred aggressive sounds (trumpet, drums, etc.) to be in reverse polarity so that the cone moves inward on its initial transient attack.
In today's world of large track counts and greater reliance on recording technologies, it seems that more records are made in proper polarity and don't require any diddling.
In today's world of large track counts and greater reliance on recording technologies, it seems that more records are made in proper polarity and don't require any diddling.