mzkmxcv: that accuracy agenda is out the window as soon as the recording engineer hooks up a mic. Accurate to what? The natural tone and timber of the acoustic event? The engineer's concept of how it should sound? The artist's vision of how he/she wants his/her music to come across?
When you add playback systems and varying room acoustics, the idea of "accuracy" becomes absurd. Everything that comes in contact with the original signal is going to color the sound. There is no such thing as accurate.
At best, playback systems should be designed for the pleasure of the listener. That includes colorations of all sorts. It really boils down to what you want to listen to, and what, for you, best conveys the feelings and emotions of the music.
When you add playback systems and varying room acoustics, the idea of "accuracy" becomes absurd. Everything that comes in contact with the original signal is going to color the sound. There is no such thing as accurate.
At best, playback systems should be designed for the pleasure of the listener. That includes colorations of all sorts. It really boils down to what you want to listen to, and what, for you, best conveys the feelings and emotions of the music.