Who has Luv for the Lyngdorf 2170 and is thinking about the 3400.


Hello All,
I’m coming up on 40 yrs in this hobby,and or obsession of ours,and I started with a pair of Khorns and Macintosh at the age of 12 and Offcourse owned a ton of different gear over the yrs.
I bought a 2170 a little more than 6 months ago and I enjoyed it so much that I quickly realized I don’t really need anything else,solid state,tubes,or even dac’s anymore.I could step off that silly merry go round of amplification and just enjoy music.I was able to utilize the extra money and time and put together a really great sounding network audio system that rivaled the best in analog that I have ever had,I was mainly a analog guy all of these yrs but finally gave it up,I even sold my longtime record collection of 3k records which included many Hot Stampers that I purchased and also several that I found on my own.

So who Luv’s the 2170 and is maybe also thinking about the new 3400.

Happy Listening,
Kenny.

kdude66
@shkong78  I ditched my 300b SET amplifier in favor of the TDAI3400 neutral to warm sound and the clarity I gained in the midrange with Room Perfect enabled.  Unfortunately the 10wpc Diavolo SET wasn't able to fill in a 100hz suck out in my room which caused it to soft clip and major clip at higher volumes when using RoomPerfect.  I miss my SET amp a little bit, but I gained so much headroom and midrange clarity using the 400wpc internal amplifier in the Lyngdorf with RoomPerfect enabled that I'm happy to trade a little warmth for the sonic advantages I have now. 


@ jcarcopo

I can play my Lansche 4.1 speaker loud enough headroom with both 2170 and 48watt SET.

My speaker is 99dbw spec(but I guess real efficiency is around 95db) and its two 10 inch woofer driven by  internal 500W  amplifiers.

The volume of 2170 could be around -20 with enough loudness in my spacious listening room.

I prefer 2170 to SET in playing progressive rock by Queen with more transparent sound and sharper focus.

But I prefer my SET to 2170  with Jazz vocal and classical music.

By the way I am also inclined to try out 3400 not for more power but with more presets and options of room correction like pre adjusted curve.

Will 3400 be also better than 2170 in SQ not just power?


When I visited Korea early this month, I had auditioned Totaldac(12K$) and MSB Select Dac(90k$ crazy price).

Both sounds good but I am not ready to spend that much money on Dac.

When I compared between 2170 and EMMLab Dac2 that I had paid 9k$ 8 years ago, they are comparable to each other.

Thomas
@shkong78 I wish I could tell you the 3400 bests the 2170 in sound quality, but I never heard the 2170 to compare them. I would assume it could potentially sound better since you have much more headroom which would hopefully equal less distortion at similiar volume levels.
I went and demoed the Lyngdorf 2170 with Paradigm Persona 5F speakers. They are not that hard to drive. I was not impressed by the amplification on the Lyngdorf. When I switched to Lyngdorf pre-amp output to a Simaudio 860A amp the sound was incredible. Now I am a little puzzled by this given the raves that people on here are stating about the Lyngdorf. I did not have ROOM Perfect enabled since the room was rather nice to work with.

My question here is, does the amplification stage of the Lyngdorf need a lot of hours to sound good? This was a demo unit at a dealer. I forgot to ask how many hours it had on it. Though the preamp section sounded incredible. The unit was not plugged in when I came into the store and I got the impression it had not been played for a while.

I am considering doing a comparison of the Lyngdorf with the Linn SELEKT DSM with DSP enabled. You can ditch the amplification module on the Linn, and use an external amp, but you cannot remove the amp on the Lyngdorf. However, given my research on the various flavors of DSP and my demo of the Lyngdorf I am inclined to buy the Lyngdorf and a separate power amp. More costly to me but I need a DSP preamp and the Lyngdorf seems like it has a good combination of ease of use and quality (except maybe the amp).

Anybody using a separate amp with the Lyngdorf? Are you also hearing improved sound with the separate amp? Or did I just experience a demo of an 2170 amplification stage needed more running in?

Rereading this long thread I saw the following quote.

Lyngdorf will need the following to sound its best;

- let it burn in for at least 200 hours before any decision making critical listening
- needs a good power cord and conditioner
- leave it fully on. It sounds much better after being on 12 hours. Leave it on, not in standby.