How important is it for you to attain a holographic image?


I’m wondering how many A’goners consider a holographic image a must for them to enjoy their systems?  Also, how many achieve this effect on a majority of recordings?
Is good soundstaging enough, or must a three dimensional image be attained in all cases.  Indeed, is it possible to always achieve it?

128x128rvpiano
Soundstage is important. Air is more important. Dynamic range is a must. You always want what you can’t have.

Ladies and gentleman, boys and girls; a "holographic image" is what "everyone" in high end audio is striving for; it's not a separate entity, but what "automatically" occurs when you have it altogether, but not before.

it only occurs when you have top notch high end equipment. I'll give you an example of this; me and the fellows; me being the resident customer, and they being the salesmen, were grooving mightily to Santana "Abraxas", on a lineup of top of the line ARC electronics, that even included the CD player, plus, the best Thiel speakers, when a real customer came in and requested to audition a Rotel amplifier.

Before that occurred, I was focusing on the organ; it was isolated like I've never heard it before or since; this was on the cut "Incident at Neshabur";


  https://www.youtube.com/watch?v=s-s2uFgMRjA


Can you dig it?


We were all seated in the small auditioning theater just grooving; that's when not a word is spoken, and each person is off in his own private inner sanctum; that holographic image with the individual instruments right in front of you will do it; put you out there where you want to be.

"And then the doorbell rang"; it was a customer who wanted to audition a Rotel Amp; when his request was honored, the soundstage collapsed. Nothing else had changed, but no more holographic soundstage; a chain is no stronger than it's weakest link.

That sums up a "holographic soundstage".


Hey, if you know what you’re doing for the most part and you don’t have five thumbs on each hand, if you persevere and have a little bit of luck you can have it all. But soundstage is not black and white, it’s not as if you either have it or you don’t. There are degrees of soundstage, you’ll know it when you hear it. You can even get air, maybe, if you’re real lucky. If you can achieve a wide, deep and high transparent soundstage chances are pretty good everything else will follow, detail, tone, dynamics, frequency extension. Maybe air.
@orpheus10 So you are saying that great soundstage is the end product of what everyone is after in regard to hi-fi audio? That seems odd....since not everyone here agrees with you. Maybe they should have their high end audiophile cards revoked.

But then I guess there is the possibility that some of us.....maybe even me.....have great "holographic soundstage" and just don't get all that excited about it? 

Nah.