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Is this the end of HEA?

http://www.cepro.com/article/is_this_the_end_of_high_performance_audio_at_ces

This last year has made my ears perk up. Honestly I didn't even know the article above had been written until now. What I did know was listeners have been in touch with me about the future of HEA and their future as advanced listeners. It's been nice to see folks getting in touch with me and even nicer that they are doing so because they wish to settle into their final system sound. To say things in their words "it's been an expensive ride" and most of these folks aren't sure they've gotten a fair shake always from the hobby. Many feel they have bank rolled a part of a hobby that hasn't always delivered the goods. Basically instead of telling listeners that this is a variable hobby the "experts" pushed a very expensive game of component Plug & Play onto the discrete audio generation. I remember those days of guilt buying where a dollar amount was used as a representative for quality, when it meant no such thing. I knew first hand this was not the case as designers scrambled to make up-sell products that sounded less musical than the original products that put their name in audio fame. I also could see the HEA decline happening but still was giving the benefit of the doubt to those saying HEA was just fine and growing. Mom and pop stores for the most part have vanished in the US with the exception of a few creative thinkers. New expensive products are being adored but I don't see many actually buying them. Now I've got my eye on T.H.E. Show (Richard's show) and wondering if it's happening or not. Richard and I have talked many times about what will happen to HEA in the US if T.H.E. Show and CES cease doing their thing in Vegas. I wonder what Richard RIP is thinking now sitting in the clouds.

I am very excited to see the next few years come about even though I know some are still buying into the old paradigm that the HEA is the cutting edge with only a volume control to adjust and a fork lift included with every purchase. Going to the CES web, I have my answer for Vegas. Going to T.H.E. Show website I'm still in question. If these two are no more, in terms of HEA, who's next?

Michael Green

128x128michaelgreenaudio
michaelgreenaudio's avatar
michaelgreenaudio OP
1,019 posts
 

LOL, from the latest review of the Rev6

"In my listening, these speakers strike an incredible balance between musical ease, refinement, clarity, punch, and spot-on harmonic completeness and accuracy. Paradoxically, they are able to exhibit effortless control and a sense of unbounded energy at the same time. I understand that Michael Green treats the drivers with a proprietary reinforcing compound, so that may be what’s behind this remarkable quality. I’ve done many a double take when I think I hear an actual piano, saxophone or cymbal playing while I’m in the other room on the computer. The attack and decay envelopes produced by the Rev6’s are fully rendered and precisely reproduced. In fact, this characteristic may be the speaker’s most identifiable quality and at the core of what makes the speaker sound so natural and realistic. The speaker’s rendering of all forms of percussion, for example, is simply head-turning and serves to naturally connect the listener’s body and soul to the music. Audiophile friends that have listened to my system have made similar comments about these speakers. I have never become fatigued listening to the Rev6’s."

I like it when you guys sell products for me. And your obviously selling products for the new generation of audiophiles.

Michael Green

michaelgreenaudio's avatar
michaelgreenaudio OP
1,019 posts
 

To address inna’s remarks about full range and subwoofers. I find that the most popular audiophile setup is the 2.1 speaker system. 2 mains is cool, but not the most efficient way to get a room charged deep full range and soundstage complete. I have designed the Rev6 and Rev60 for around 30 years. Sorry inna but the newer Rev6 beats up on the old Rev80 and 80i. I don’t have a problem making custom designs with the bigger woofers by request but I’m really happy with the performance of the 6. The Rev6 Combo has been the jewel and so easy to set rooms up with. At the same time if someone wants to go multiple Sub wild I have several different Sub designs to allow the listener to define from 200hz down in different pressure zones of the room. With the super sub guys I have 5 different 15" drivers that I like to use that all have different tones and are of course tunable (I do 10"-18"). Some are free air Subs and some enclosed. 2, 3 or even 4 subs can be used but I always recommend going 2.1 at first so you can tune in your room first before going too crazy. The right amount of RoomTune and Rev setup is pretty darn good sounding.

The Rev6 is full range, however having the Combo is pretty special for example, your playing one recording with perfect harmonics and extension and the very next recording sounds squeezed on the top end and shallow on the bottom. One or two simple adjustments and the new recording is sounding as full and balance as the first. This is where we are going as audiophiles. A more flexible hobby and more musically refined.

So, inna maybe you wouldn't dig my speakers, don't know, but there seems to be a musical ear out there that they are hitting. And certainly the most flexible.


geoffkait's avatar
geoffkait
23,365 posts
 
I’ve said it before and I’ll say it again. High End Audio has precious little to do with equipment or cost. It’s actually surprisingly easy to assemble a very expensive Stereophile Class A system that sounds very generic, boring, two dimensional, amusical, irritating, thin, metallic, thuddy, compressed, distorted and/or like paper mache. 😛 We want tuna that tastes good, not tuna with good taste. 🐬

The best laid plans of mice and men oft go awry. - old audiophile axiom
glupson
7,842 posts
 
"Maybe he forgot everything he knew."
Maybe he learned something new along the way. We all change our perception of things at some point. Better that than to stubbornly push one "wrong" view forever. Nothing to do with Michael Green’s speakers and their real value. I know nothing about them and would give them benefit of the doubt until I hear them (and I doubt that I will ever have a chance).
glupson
7,842 posts
 
"Heavy chassis don’t produce music."
Over time, reading through advertising materials, I got the impression that is why they are put there. To reduce vibration or something like that. Basically, to minimize "producing music". Isn't it good then?
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