Jimmy Page, It's time to call your lawyers?


I'm pretty late to this party--as usual.  A Chicago radio station is starry-eyed over Greta Van Fleet.  I gave them a listen today.  All I could think was...

Is this a Zeppelin parody band? 

There are so many features to their sound, playing, and sonics that sound just like LZ--so much so that I cannot get into the music passionately.  These are (IMHO):  Vocals (phrasing mimics Robert Plant without stopping);  Lyrics (the themes seem, based on limited listening, to track LZ);  Lead Guitar (I cannot think of another guitarist who sounds like he's trying to sound like Page as much as this one).  

Does Greta Van Fleet sound like a facsimile to you?  I'm not hung up on punishing artists who copy, as I think it's part and parcel of the art form.  But I'm having real trouble getting past the photocopy nature of this.  Again, this is just one person's opinion. So curious to hear what others think and feel about this group.  I'd like to give them more of a chance and maybe others can help.  For now, I can't keep listening.

128x128jbhiller
There seems to be a bunch of these bands making a living off of Zep.

www.gtlorocks.com
There’s nothing new here and I’ll bet someone copied the guy or gal who invented the wheel too.

Where there’s copyright infringement, let lawyers duke it out.

No one complained of all the Beatles spin offs and copy cats and wanna bees after they broke up. A publishing company sued John Fogerty for copying one of his own songs. This stuff happens in every industry where someone does something original and lazy non-creative people want to cash in on other’s successes.

The Brit’s popularization of black American blues sparked considerable interest in the original artists and in many cases helped their careers. You didn’t see that happening from this side of the pond. Even Hendrix had to go to England to be appreciated, and then of course the pile-on soon followed in the US.
I love Zep but they just flat out stole riffs and lyrics from the old blues and folk players without giving any credit or payment until forced into it by legal suits. Clapton the Stones and others on the other hand credited artists and made sure they got paid.
I've never cared all that much for Zep albums for serious listening as, especially in the 70s, I was more into The Band, Little Feat (seemingly Zep's and every UK band's fave, and considered by many as the best live band of the 70s), Joni, Steely Dan, Jimi, blah blah (especially blah blah)...personal taste, although I get the musicianship factor. This said, the impression Zep had on me the first time I or anyone else I knew had seen them (second part of what was essentially their first US tour blitz when my band opened for them in May '69) was that they had a GREAT live act...this dissipated somewhat when I saw 'em again later, but still worth mentioning as at that time most bands seemed to be simply loitering on stage...later in '69 Jethro Tull also seemed like they were from another planet as their live show was also astonishing for its time. So the Fleetsters, regardless of their not inventing anything, get props from me for at least live gusto, which relative to the Shoe Gaze or "Americana" or hipster bands I think mostly suck from pretentious faux seriousness ("We wrote this so it must be good!"), I can say You Go Greta, although I won't be listening to any of their albums either.