It’s its when it’s not it’s.Clever expression of the rule, but only in writing: gibberish when spoken. I still rely on my 6th grade teacher: If it means "it is", use "it’s" — everything else is "its".
I tried it. It wasn’t the SL-10, but the Mitsubishi LT-22 linear tracker. Same small tracking error (0.1°) but it takes 1/2"-mount cartridges. I put it in my main system; used LOMCs (Dynavector, Van den Hul, Fidelity Research, et al); and chose a "torture" LP: Mahler 3, whose finale taxes all arms/carts.If you are happy that it [SL-10] is set up properly and works well. (won’t wreck your lps)
The next step is to put it in your first system, and play a record that has history there; an LP that you are intimately familiar with. One that you know every pop on it - and expect it. 8^0
Some would not dream of putting a $50 bought turntable up against their expensive one.
I think you will be surprised at what you hear.
I never heard it so clean and dynamic: it just grew and grew until I had to turn it down before the cops arrived. Overall, for less tortuous music, it wasn’t ’quite’ as good as my better rigs, but only by a bit and that ’bit’ was small. And I think it can be ameliorated, maybe eliminated, as the internal wiring has five (5) solder breaks (not counting solder at the h’shell leads and RCA plugs). Eliminate those breaks, replace with a single run of good wire, and it will be better. Make it a fixed’headhsell, and better still. Might even turn that ’bit’ into a zero (the arms I compared it to were all fixed h’shell, giving them an advantage in the results).
But I now like the convenience of changeable headshells — not to mention the convenience of push-button auto-play/auto-life, which add no noise whatsoever. Shame it’s not a sexy as the SL-10 (I had one and loved it until...)