I'm not getting into the technical melee here, but if anyone is interested in measurements - including one that can ID differences ***when we don't know precisely what to measure***, look up a youtube video of an AES talk by Evan Winer on his Null Tester. OK he;s a techie, but if more mastering engineers has his commitment, we'd probably like more recordings and even like digital masters.
Note the subtlety here - I disagree that we cannot measure audible artifacts. The problem is that a) we dont know what to measure and b) we don't know how to weight consonant vs dissonant distortions. There is a difference between "sounds nice" and "is accurate". IN fact, distortions make great pianos and violins - but ah what distortions they are... (rich resonances that are primarily low-order, even harmonics).
Measuring cables is complex. I tried one with nearly $1m worth of lab gear (not mine) and failed miserably. but it was fun.
Note the subtlety here - I disagree that we cannot measure audible artifacts. The problem is that a) we dont know what to measure and b) we don't know how to weight consonant vs dissonant distortions. There is a difference between "sounds nice" and "is accurate". IN fact, distortions make great pianos and violins - but ah what distortions they are... (rich resonances that are primarily low-order, even harmonics).
Measuring cables is complex. I tried one with nearly $1m worth of lab gear (not mine) and failed miserably. but it was fun.