The Science of Cables’ thread has, unsurprisingly and perhaps somewhat sadly, taken on a life of its own. The topic of cables touches very sensitive nerves in this industry/hobby and it seems most have a strong opinion about it. My hope is that in the vinyl realm, other than comparing it endlessly to digital sources (yawn), there will be civility and education. I’m here to share experience, knowledge and wisdom; I've been playing records for the past 55 years.
The Science of Vinyl/Analog Setups
It seems to me that there is too little scientific, objective evidence for why vinyl/analog setups sound the way they do. When I see discussions on tables, cartridges, tonearms and even phono cables, physical attributes are discussed; things like isolation, material, geometry, etc. and rarely are things discussed like wow, rumble, resonance, compliance, etc. Why is this? Why aren’t vinyl/analog setups discussed in terms of physical measurements very often?
Seems to me like that would increase the customer base. I know several “objectivists” that won’t accept any of your claims unless you have measurements and blind tests. If there were measurements that correlated to what you hear, I think more people would be interested in vinyl/analog setups.
I know vinyl/analog setups are often system-dependent but there are still many generalizations that can be made.
Seems to me like that would increase the customer base. I know several “objectivists” that won’t accept any of your claims unless you have measurements and blind tests. If there were measurements that correlated to what you hear, I think more people would be interested in vinyl/analog setups.
I know vinyl/analog setups are often system-dependent but there are still many generalizations that can be made.
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- 34 posts total
- 34 posts total