I'm beginning to poke around and gather opinions and information about a "super speaker" to replace my aging Thiel 2.4s. I like the idea of bass dsp room correction and I am a bit of a point source type imaging nut (thus the Thiels). So among other choices I've been looking at the Paradigm Persona series specifically the powered 9H with room correction for the bass. However I'm skeptical of the "lenses" i.e. pierced metal covers on the midrange and tweeter specifically because of Paradigm's claim that such screens "screen out" "out of phase" musical information. The technology in the design seems superlative but I just can't get past the claim re out of phase information and the midrange and tweeter covers. What could possibly be the science behind this claim? It just seems like its putting a halloween moustache on the mona lisa given the fact that the company is generally a technology driven company.
@pwhinson do you have them toed in at all? They should be facing almost straight. Maybe 5 degrees total. I have never gotten brightness especially on orchestral recordings that are decent or better. Even stuff like the old Telarc CDs sound simply incredible. Almost laid back yet with jaw dropping dynamics, scale, and wade.
Oh, one more thing. You mention wanting to adjust the bass response curve. With the new ARC Genesis, you will be able to custom tailor it however you want. I think it releases in April or May.
I thoroughly enjoyed reading your review of the Paradigm Personal 9H. Your descriptions, emotions and feelings are on target with my impressions as well. This is a beautiful loudspeaker with excellent engineering. Happy Listening!
They are super revealing and are persnickety of matching electronics and cables, just like Thiels
They were 2 on my list before I bought Revel Ultima2’s
Each component I listened to them with had its own “ distinct “ personality ex: Mac amps - great highs , soft bass Bryston amps- great bass, aggressive highs Nordost cables- detail, detail AQ-earth cables- warm & warm & cozy etc
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