Merrill Audio ELEMENT 118 on Tour


As some of you know I had to deal with a serious family medical issue which has been miraculously cured. So the new ELEMENT amplifiers are getting out to all those asking about them and the few lucky ones that have purchased them.

The ELEMENT 118 and ELEMENT 116 will be going out to reviewers and on tour to various audiophiles and dealers. So more will be showing up. I will provide a short trail and welcome questions and comments, all in good spirit.

After years of research and using OEMS, we have a proprietary design that we believe is an order of magnitude improvement over the previous amps and also sets a standard across all the classes of amps in terms on sonics. Of course taking a listen and doing a comparison is the best way to confirm this.

The new design is an open loop, zero feedback, and zero deadtime, using the Gallium Nitride Transistors - which unlike other transistors have close to zero capacitance and hence allow very fast switching. Additionally the PCB and layout is a highly advanced layout that reduces the parasitic capacitance and inductance to near zero, allow close to zero overshoot and ring, and of course the zero deadtime. The open loop, zero feedback, zero deadtime allows a spacious and precision stage with long detailed decays, very fast attack without the parasitics causing other distortions. The first 10 seconds impresses the listener with a musical tone, that is open, wide and fast. The rest is musical immersion.

I will post the systems as they are run through as best I can. Enjoy and I hope you get to listen to the ELEMENT Series of Power Amplifiers near you.
merrillaudio
Hey George.

Don’t forget it runs cool, is essentially immune to power cords or conditioners (Merrill can clarify) and has a noise floor lower then the Marianas Trench. 😇
Hi George,

Perpetual motion would be creation of energy. This is simple ohms law principals. Voltage = Current x Resistance. If the power supply can deliver, then the voltage and current will act in proportion, hence power in proportion. Power = Vsquared/R or I squared x R. Distortion quoted at full power. Note there is no feedback loop. So distortion in this design is not dependent on feedback or power. The Transistors are capable of over 4,000 watts however it will shutdown based on current, which generates heat and the heat cannot be dissapated as fast for 4,000 watts. Hence the limitations. The power supply is quite capable of 2,000 watts and adjusts to load unlike others that drop voltage with a higher current, for example a transformer based linear supply.

cheers

Merrill



Merrill thanks for the reply, but the perpetual motion comparison is an example of the unreachable, as everything has loses.

That’s why I ask once again, does this amp REALLY double it’s wattage for each halving of impedance from 8 to 4 to 2ohms, (with 300w 600w 1200w) just before clipping, with the same % of distortion at each of the 3 x impedances? (just a yes or no answer will suffice)

Cheers George
I just had someone message me through my Audiogon thread asking me to comment on the difference between a Rowland 625 S2 and the Merrill 116. Here is my response:

Wow. Totally different beasts. Opposite ends of the solid state world.

Roland is known for warm, rich, soulful sound. I think, and many agree, that the 625 S2 is one of Jeff’s greatest design. And they look gorgeous. But they lack in many areas compared to more expensive options. Speed, transparency, dynamic impact, low end extension and noice floor. Rowland is solid state that sounds like tubes. It’s great, and musical and engaging.

116’s are, in many ways opposite and in some ways half way to opposite. The 116 are neutral, in all capital letters. There is no voicing, tonal coloration, saturation, or emphasis on anything but purity and an absolute transparent window to the preamp and source. The amps are utterly clean; like looking through a window and your brain keeps saying that it knows there is a window there, but your eyes just can’t perceive any window because the glass is just so damn transparent. There is no warm and no rich. Just music. Accurate, clean, engaging music.

It also has fathomless low extension with a sense of slam and impact that makes you scratch your head. It’s not exaggerated. But that concept of clean keeps coming back. There is an impact and sense of pace and rhythm conveyed that resembles sitting close to the performers and having that visceral, palpable experience of being near the instruments. This conveys a sense of realism that needs to be experienced to appreciate. I believe all of this is subconsciously reinforced by the fact that the amps have the lowest perceived noise floor I have ever experienced. Again, it results in that word clean that I keep bringing up.

Along with that, the amps are lightning fast. This is a hard one to describe until you hear them. But the leading and trailing edges are perfectly defined both spatially and temporally. The pluck of an instrument string or snap of a snare has a sense of correct speed that only the most expensive gear seam to get right.

All of this is done without sounding overly accurate, sterile or lifeless. Your toes will tap, your fingers will snap, and you will sing out loud. They really need to be experienced. Of course, the Rowland does that as well. Forgive the anology, but having sex with a condom feels really great, but without one is SO much better! 😜
@mattnshilp   "...is essentially immune to power cords..."  

I have to respectfully disagree. I've owned and loved the Veritas and THOR amps and they very much respond to after market AC cords for the better and not by a small margin. 
Now I've had here the Element 116's but since they use a 20amp IEC I can't confirm or deny that an after market AC cord will be better.

(Dealer disclaimer)