Thiel Owners


Guys-

I just scored a sweet pair of CS 2.4SE loudspeakers. Anyone else currently or previously owned this model?
Owners of the CS 2.4 or CS 2.7 are free to chime in as well. Thiel are excellent w/ both tubed or solid-state gear!

Keep me posted & Happy Listening!
128x128jafant
Tomic- Rob has all spikes and spare parts or can supply specs.
Also, if you develop such interest, your 2.3s can be readily upgraded via what we are learning with the 2.4. The 2.3 XO is much simpler with fewer critical parts. Keep us apprised of your 2.3 experience.
 @jafant System is Denon DP-35 F , Nakagoka 110 cartridge into a Croft RIAA-RS ( single chassis w NOS tubes ), into a Richard Modeferi hotrodded and restored McIntosh MX-100 Z also NOS tubes, into a Mike Samra hotrodded McIntosh MC240 ( paper in oil, modern regulation, etc, running NOS... cables a haphazard mix of Chord, Blue Jeans and Audioquest.....
CD source is McIntosh MCD205
Monday will switch our table for newly rebuilt SOTA Sapphire/Sumiko FT-3/Grado Reference-Platinum....

fun
@tomthiel. Thanks so much for referral to Rob for parts...
the two access plates on bottom, I assume x-over can be accessed via the larger ?
i will stay in touch with 2.4 filter development- big fun.....
Tomic - You are in the driver's seat - I have not yet seen a 2.3. In my upgrades, I am moving the XOs to the bottom compartment with access via a routed bottom panel, taking the drivers out of the access path.

Andy - that point of "hotter than they should be" is of great interest. It amazes me that there are no real standards regarding target speaker response - "what should be". The scientific work being done at JBL, the Canadian Research Lab, etc. centers on user preference. Think about that. Record producers second-guess end user equipment and preferences and . . . it's sometimes called "the wild west".

Jim's position was philosophical as much as anything else: that the speaker just like other components should replicate its input signal. At the time that position was quite novel, even controversial, but over elapsed time it has become fairly standard practice with the largest deviations being bass level.

I am not a Vandersteen expert, but it seems that over the years his products migrated from very full bass and steadily falling treble toward flat frequency response, along with KEF, the Canadians and many other design houses. I suggest that a Thiel compared with a modern Van would measure quite similarly, which was not true in distant years past.
The puzzle is not solvable until everybody makes recordings balanced for flat system playback, like Audioquest, Chesky, Reference Recordings and similar knowledgeable producers do. Until that time, it is far safer to balance a speaker rich and forgiving so it doesn't exacerbate recording problems. Jim actually disdained making such a compromise, citing its irrationality, and Thiel took it on the chin in many ways.