Radikal Linn LP12 or Palmer 2.5?


The motor of my 25 year old LP12 just conked out and I was planning to use this as an opportunity to get it keeled and radikalized, until I recently went to an audio show and heard a Palmer 2.5 with an Origami arm that sounded fabulous.  I’ve never heard a fully upgraded LP12, but I’ve been living with my Cirkus/Ekos/Linto/Lingo version for some time.  After hearing the Palmer, I thought it might be time for a new direction, but I understand the Linn upgrades to be quite dramatic. I probably won’t be able to do a A/B comparison, so if anyone out there has has a chance to directly compare the two, I would love to hear your thoughts.  This is going to be a big expenditure for me either way and it will likely be my last turntable, so thanks in advance for any insights you may be willing to share.
latenitecity
@latenitecity Today I auditioned the AMG Viella V12 with the 12JT Turbo tonearm and Benz Gullwing SLR cartridge. The associated equipment was Audio Research Reference 3 Phono to an Audio Research Reference 6 pre to Audio Research 160M mono blocks. Speakers were Wilson DAWs. Transparent Cabling throughout. I thought this setup sounded really good. The TT is definitely in the mix for me as I try to narrow the field I'm interested in seriously considering. Overall, I thought the sound would have benefited from the Benz LP-S cartridge. That is not based on personal experience with the LP-S, however, it simply is affirming what I have read elsewhere of folks who replaced their Gullwing cartridge with the LP-S and why they did so. Others who have owned these two cartridges have commented that the LP-S compared to the Gullwing is lusher, has more bass, with the midrange having more body to it. However, it has been noted that the Gullwing has extended highs compared to the LP-S. Now having heard the Gullwing, if the descriptions of the LP-S are correct, the LP-S would probably be more my cup of tea. But, the big take away from today is that the AMG Viella V12 provided a nice quiet background for the music to emerge from. 
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 @astewart8944   Your post brings up a very good point. I just noticed that the OP had listened to the top of the line AMG Viella...versus the little Giro, what the OP said with regards to his findings would make some sense if he was talking about the Giro...but not the Viella, imo. Yet, when we notice the cartridge in use on the Viella, that begins to make some sense. Same with the SQ from the Linn and Kandid. The Kandid is not broken in yet, the Ortofon...elicits the kind of sound that the OP heard, but not necessarily the table and arm!
It’s the old saying, a chain is only as strong as it’s weakest link!
 @viridian  I see your point, but I don’t really look at it that way. Instead, I believe that once the Linn is set up correctly, it really is play ready without fuss for extended periods of time. ( so you really don’t need to be visiting your dealer on a regular basis) One doesn’t need to upgrade the table, unless one wants to...and then the upgrades are there. Unlike the nice new Rega Planar 8, wherein what you see is what you get...with no future upgrade ability... unless you completely change the original platform.
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