I did read the article. Thank you.
For me there are two parallel points raised in the article: the difficulty of making a living as an artist in the contemporary music business and, the loss of craft in the music industry. The latter is of interest to me and was not resolved by the article.
There was a time, "the golden ages" when craft and artistry were inseparable. Take photography for instance- a parallel but overlapping universe. Technical craft and artistic content were appreciated by a consuming public. Ansel Adams was the gold standard for both. As photographic technology changed with instant picture taking and then digital picture taking and the internet, the taste of the general public has shifted away from technical excellence and is totally focused on "cultural content". Very few people care about lenses, cameras, metering, depth of field and "pre-visualization" etc... It’s all about grabbing the shot, quickly adding some post-processing with an app. and then hitting the send button.
The same has happened to music. Technical excellence is just not appreciated beyond the few aging audiophiles who still care about all that front-end craft. It’s all about getting and sharing a feeling within the context of urgency and need for a shot of dopamine. The general market just does not care if the music is well-recorded, well-produced, well-mastered and well pressed. There are no sit-down listening sessions.
The post-war generation took pride in their interests. Audio, and photography, as well as others like woodworking, fly-fishing etc.., were part technical pursuits that people aspired to master. This is simply no longer true for the majority of the public.
As much as I enjoy many of the benefits of the digital age, and I do see small pockets of interest in "craft", the arc of craft is trending towards convenience- and with it will be the demise of appreciation for technical excellence.
Audiophiles who pursue and enjoy technical excellence as inseparable with artistic excellence are on the decline. The current resurgence in interest in analog vinyl is, IMHO, a revolt against convenience but it is also an anomaly and will not survive the relentless advances in technology and the cultural shifts that it will bring.
For me there are two parallel points raised in the article: the difficulty of making a living as an artist in the contemporary music business and, the loss of craft in the music industry. The latter is of interest to me and was not resolved by the article.
There was a time, "the golden ages" when craft and artistry were inseparable. Take photography for instance- a parallel but overlapping universe. Technical craft and artistic content were appreciated by a consuming public. Ansel Adams was the gold standard for both. As photographic technology changed with instant picture taking and then digital picture taking and the internet, the taste of the general public has shifted away from technical excellence and is totally focused on "cultural content". Very few people care about lenses, cameras, metering, depth of field and "pre-visualization" etc... It’s all about grabbing the shot, quickly adding some post-processing with an app. and then hitting the send button.
The same has happened to music. Technical excellence is just not appreciated beyond the few aging audiophiles who still care about all that front-end craft. It’s all about getting and sharing a feeling within the context of urgency and need for a shot of dopamine. The general market just does not care if the music is well-recorded, well-produced, well-mastered and well pressed. There are no sit-down listening sessions.
The post-war generation took pride in their interests. Audio, and photography, as well as others like woodworking, fly-fishing etc.., were part technical pursuits that people aspired to master. This is simply no longer true for the majority of the public.
As much as I enjoy many of the benefits of the digital age, and I do see small pockets of interest in "craft", the arc of craft is trending towards convenience- and with it will be the demise of appreciation for technical excellence.
Audiophiles who pursue and enjoy technical excellence as inseparable with artistic excellence are on the decline. The current resurgence in interest in analog vinyl is, IMHO, a revolt against convenience but it is also an anomaly and will not survive the relentless advances in technology and the cultural shifts that it will bring.