@unsound. Richard Vandersteen and Jim Thiel believed the ONLY thing that can make multi driver speakers time and phase coherent IS a first order crossover. Nothing more nothing less. That assumes the drivers are capable of taking advantage of the first order crossover and its more difficult slopes.
(1) YES there are two drivers in ADDITION to the ribbon tweeter in a 20.7...so, NO there is NOT one "panel/driver" in a 20.7. Maybe the confusion arises because you have two drivers in a single panel in the 20.7 and just about all the Magnepans...and in the higher tiers they blend a long narrow ribbon tweeter into the panels. Its a three-way speaker inclusive of the ribbon tweeter.
(2) YES these speakers do produce a perfect square wave because the crossover IN THE SPEAKER is first order and time and phase coherent. Unlike the earlier 3 series speakers there is no external crossover, rather its now built into the body of the .7 series speakers.
(3) YES my reference to a "crossover" was to the EXTERNAL VANDERSTEEN crossover for the transition from the 20.7s to the Vandersteen subs.
(3) YES the external Vandersteen crossover is ALSO first order.
(4) YES I did prefer the sound of the 20.7’s by themselves to that of the sound produced by the 20.7s, the vandersteen crossover, and the vandersteen subs as I stated above. The Maggies were crossed over at 100 hz to the Vandy subs (pretty high if you ask me). Still, I expected more from the combination thinking that this would be a very clean way to integrate subs into the Maggies but what I found was that on the 20.7 (and I guess on the 30.7 with the extra bass panel per side), the bass is far superior than what Maggies used to be able to achieve in the past. It was clean and coherent and DEEP. The Vandy subs just smeared not only the deep bass but the upper bass as well. I really expected more. But the 20.7 is truly a great speaker I would say especially for classical music. Truly extraordinary I think.
I also have since bought a pair of 20.7s (!). I liked em that much.
(1) YES there are two drivers in ADDITION to the ribbon tweeter in a 20.7...so, NO there is NOT one "panel/driver" in a 20.7. Maybe the confusion arises because you have two drivers in a single panel in the 20.7 and just about all the Magnepans...and in the higher tiers they blend a long narrow ribbon tweeter into the panels. Its a three-way speaker inclusive of the ribbon tweeter.
(2) YES these speakers do produce a perfect square wave because the crossover IN THE SPEAKER is first order and time and phase coherent. Unlike the earlier 3 series speakers there is no external crossover, rather its now built into the body of the .7 series speakers.
(3) YES my reference to a "crossover" was to the EXTERNAL VANDERSTEEN crossover for the transition from the 20.7s to the Vandersteen subs.
(3) YES the external Vandersteen crossover is ALSO first order.
(4) YES I did prefer the sound of the 20.7’s by themselves to that of the sound produced by the 20.7s, the vandersteen crossover, and the vandersteen subs as I stated above. The Maggies were crossed over at 100 hz to the Vandy subs (pretty high if you ask me). Still, I expected more from the combination thinking that this would be a very clean way to integrate subs into the Maggies but what I found was that on the 20.7 (and I guess on the 30.7 with the extra bass panel per side), the bass is far superior than what Maggies used to be able to achieve in the past. It was clean and coherent and DEEP. The Vandy subs just smeared not only the deep bass but the upper bass as well. I really expected more. But the 20.7 is truly a great speaker I would say especially for classical music. Truly extraordinary I think.
I also have since bought a pair of 20.7s (!). I liked em that much.