Reel to reel


I’m entertaining the idea of purchasing a reel to reel to record my albums on and also use to possibly soften the digital age a bit. Does anyone know where or if NEW blank tapes can be purchased? Are there any thoughts on a resurgence of R2R and if blank media will become more easily accessible?
128x128luvrockin

I don't have "tape hiss"; evidently you were not doing proper maintenance, or bought cheap tape.

I had an AKAI that had all the problems you stated "double", but my Technics RS 1500, has been major trouble free for the last 20 years. It's been calibrated and I do maintenance frequently; clean heads, de-magnetize, and clean rollers with rubber cleaner.

With good tape, no turntable can compare; and the funny thing is, I record from the TT, and LP's sound so much better; I could write an entire page describing the improved playback, but I wont; especially since there are so many who state this is impossible.

As soon as I finish this post, I'm going to indulge in 15 IPS playback.

So long, and may the force be with you.



Here is an open letter of apology to AKAI buyers and owners; the model I had was a cheap bad one that I would not have bought if I knew what I was doing; AKAI makes better models.
orpheus 10
I could write an entire page describing the improved playback, but I wont; especially since there are so many who state this is impossible.


It is not impossible orpheus 10 for your particular situation.

When you are recording "punching" tapes you are using IEC or NAB EQ. Which EQ is it? Also remember when you are "punching" tape you are setting levels to the peak (this is important-come back to it) with NAB or IEC EQ, and playing them back on your own machine, same heads, same EQ, same levels. This is important.

Our records are cut - recorded- with RIAA Eq (treble boost/bass cut) Our phono stage puts an inverse RIAA EQ on them when you play them. The question remains for each of us - how well matched is our set up for playing back these records, since none of us are using the same type of machine that cut them. Different carts, different cart settings, different gains.....

Are each of using the best gain, cart setting when playing back records ?

orpheus 10
If you are telling us that your tape copies (high level signal) sound better, than the source LP - (low  level signal) - LP - in your room/ system; then it simply IMO indicates improvements can be made to your vinyl setup.

But hey, it sounds like you are having fun doing what you are doing, and you prefer tape, so I don’t see this happening any time soon.
That’s fine too.

A better comparison for you would be to acquire some Master dubs of actual albums you own, compare them to your lps to determine how big the delta really is.

Cheers
Post removed 

I will never acquire any other tapes aside from the one's I make; any time tapes are recorded and played back on the same machine, they are perfect.

The machine would have to be calibrated for someone else's tape, and it makes no sense to go through that trouble when I'm in such a narrow range of music.


I've been listening to 15 IPS, and 7.5 IPS tape all morning. While the 15 IPS is better, it's too short and too expensive, I wont be recording at that speed in the future. Brand new tape at 7.5 is good enough for me.