Reel to reel

orpheus10

LP and CD both came from the "Master tape"; I think the only difference is obvious; one is digital, and the other is analog.

You may well be correct - but not necessarily. After all, the LP wasn’t made directly from the master tape, right? It would have to go through an RIAA EQ network, and almost certainly some amount of limiting or compression, if only to protect the cutter head.

Abraxas is a great album btw, and one of my favorites. Great art, too.

You might give a listen to any number of Sheffield releases available in both DtD and treasury ( from Tape ) versions. And CD for that matter

anybody try the free experiment with your deck electronics in the loop yet ? Not that hard and might save you a lot of money on tape.....

benjie

How does introducing distortion into a recording enhance or increase the overall musicality of the music? I would think an increased in distortion would have a negative effect not a positive one.

There is such a thing as "euphonic distortion" and some people may prefer the result to a more accurate signal. There use to be freeware called AddDistortion - I’m not sure if it’s still available. It worked only in mono, but was useful in understanding the audibility and qualities of different kinds and amounts of distortion. There have also been AES papers on this subject.

One of the reasons I gave away most of my cd's was the engineer who mixed the cd used either compression and/or did not allow the original mix to shine through.  Michael Fremer at Stereophile/Analog planet has done an exhaustive amount of research on this and I'm sure the reason why all but only the best cd's are inferior to the original LP and the analog master tapes is out there.  I am certainly no expert but from what I have heard, a cd mix, even if its from the master tape directly, is subject the mixing engineers opinion as to what sounds good.  If it's not true to the master tape/LP, then it's not for me.  This is why I am gearing up to sample a dupe of a master tape.  Those who have had the good fortune to own or sample one of these tapes have raved about the dynamic range.  

As far as using my (pro or semi pro) Otari or Technics (after refurbishment) decks to record a compilation tape from LP and/or hi res music files, I plan on doing the same, mainly for the convenience.  I have recorded hi res (Flac,DSD) music files from one of 3 stand-alone hard drives (total size of the all files, approx 6 tb) via my Asus laptop running Jriver music player through the integrated DAC within my moderately priced Marantz PM7005 to my TEAC X-1000R and when switching from Tape to Source, I can hear virtually no difference in sound quality.. and this through my "B" system.  I expect even better results when I do the same via my "A" system:  Otari MX5050Bii2, soon to arrive Yamaha A-S2100 Solid State integrate amp, BMC PureDac and GoldenEar Triton 1 speakers. 

I know this appears somewhat academic to many, especially to those considering re-entering the R2R genre, but I find it is great fun determining what provides the best sound through my system.

Finally, a nod to all those contributing to this conversation... most of you know far more than I do about the subject, and I am enjoying the real and theoretical knowledge presentation.  

The distortion one hears on CDs (mostly) comes directly from the playback CD player. They never really ironed out all the kinks. Let me put it another way. The distortion is not (rpt not) on the CD or the original recording. As the little mice in the movie Babe, say, “That’s just the way things are.”