benjie
Magnetic tape is also challenged with high level (approaching 0 dB) HF. The use of EQ is a technique to improve that performance.
One way that I think there is great similarity between LP and analog tape is that both systems seem to have profound, although different, limitations ... on paper. In practice, they both can result in extraordinary performance. The experiences of tape users in this thread is an indicator of that.
Why does this distortion not exist in digital or analog LP recordings? What is unique about a R2R’s recording circuit that causes this to happen?It’s not really the recording circuit that causes this distortion. I know that you may not want to hear this, but the distortion common to analog tape recording is a function of the nonlinearity of the tape itself. The use of bias increases linearity and - as you may know - is only applied during recording, not playback.
Magnetic tape is also challenged with high level (approaching 0 dB) HF. The use of EQ is a technique to improve that performance.
One way that I think there is great similarity between LP and analog tape is that both systems seem to have profound, although different, limitations ... on paper. In practice, they both can result in extraordinary performance. The experiences of tape users in this thread is an indicator of that.