Forever turntable under $2000


In search of: forever turntable.

I'm currently looking to upgrade from my existing Pro-Ject RPM 1.3 to a table that I will (hopefully) never grow out of. I'm looking for something that is *technically* competent, something where I know the engineering is extremely solid and "timeless," and provides a good analog platform to swap carts with. My budget for this is $1600 with cart (but up to $2000 if there's a good case for it). The rest of my system is as follows:

* LSA 2.1 Statement speakers

* Schiit Gumby DAC

* Schiit Freya preamp

* Adcom GFA555 power amp

* Schiit Mani phono stage

So far, I have looked into the Rega P6 (or a used RP6), a Clearaudio Concept, a variety of Pro-Ject offerings, and a Michell Technodec... but at this level there are so many choices, its hard to know where to start. Any ideas? Thanks!
primarist
My Technics SL-1700 was bought new in 1973. I still have it. It still runs. I prefer my Teres. But forever turntable? The Technics certainly qualifies.
Sleepwalker, besides the fact that every other bit of personal opinion you dispensed is debatable, name one good vintage DD with spring suspension, I can only think of Sony and the Pioneer Exclusive P3 Which has a very elaborate suspension and costs upwards of $6000 these days.

The new SL1200s are in fact elaborately damped, both chassis and platter, unlike the originals. The coreless motor is a huge upgrade over the old models but is hardly experimental.
The SL-1700mk2 semi-auto and it’s ‘1800’ manual and ‘1600’ fully auto models are the turntables that audiophiles want, due to the combined use of spring suspension, rubber feet and TNRC subchassis. The direct drive motor is the same unit as in the SL-1200mk2, as is the tonearm. The advantages of the SL-1700mk2 multi-approach to isolation is that no single method is completely effective by itself, but when combined, superior results are achieved. I’ve gone so far as to replace the simpler rubber feet on my SL-1700mk2 with the feet from the SL-1200mk2, which possess more robust damping, as they are essential the only measure of isolation on the 1200. As a result, my SL1700mk2 is exceptional in isolation of vibration. Technics has stubbornly stuck to the archaic and ineffective legacy SL-1200mk2 chassis design for one reason only: its main application is the high visibility rap-“DJ” target market, where ability to withstand severe abuse is valued over sound quality. 

Turning to the coreless motor, it does not have the lengthy track record of 40 years. This is why I said it is not the same proven commodity that the vintage design is. 

Now looking at audiophile interests, the SL-1200mk2 units available on the used market are almost always severely abused and heavily damaged from rap”DJ” use. This is much the same as why you would not want to buy a car that had been used as a taxi. On the other hand, the rap”DJ” market doesn’t like spring-suspended turntables for record scratching, so used spring suspended units will seldom be found in thrashed and trashed condition, making them better candidates for restoration for HiFi applications. 
Seeing that you have a fair amount of Schiit Audio gear take a look at this for something to consider:

https://youtu.be/3Ry_0okbbNo?t=699

Schiit is getting a new TT ready for this summer. Shown with the Mani phono stage. Would be in your price range.

For something that is not in budget but worth a look is a new Linn LP12 Majik. Somewhat controversial, but the Majik as sold is exceptionally nice and would allow for direct updates if you would ever want to. Yes, it is outside budget but worth a listen.

I'm working on my own LP12 project and while it may not be everyones cup of tea it sung to me so I jumped on board.
HRS base
Basis 1400 w Rega 300 arm

your phono Stage, while amazing is holding you back