The Science of Cables


It seems to me that there is too little scientific, objective evidence for why cables sound the way they do. When I see discussions on cables, physical attributes are discussed; things like shielding, gauge, material, geometry, etc. and rarely are things like resistance, impedance, inductance, capacitance, etc. Why is this? Why aren’t cables discussed in terms of physical measurements very often?

Seems to me like that would increase the customer base. I know several “objectivist” that won’t accept any of your claims unless you have measurements and blind tests. If there were measurements that correlated to what you hear, I think more people would be interested in cables. 

I know cables are often system dependent but there are still many generalizations that can be made.
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Audioquest is not a bad, inferior, or incompetent cable but it is not an exceptional, high performance, high end cable either. For proof of this simple, basic, verifiable fact just take a look at how many different cables this company designs, manufactures, and distributes they make dozens of models what they are doing is making cables of different "flavors" because none of them are truly neutral, accurate, and faithful. This allows every user, dealer, audiophile to proclaim for himself that one or more of them are the "best" when in fact each of them has they're own shortcomings, failings, and compromises because the company does not know how to make a truly accurate cable. This will fool some people with some regularity and it appears there is a user hear who is included in that group however I will not mention his name or he will have my post deleted for his own benefit, satisfaction, and purpose as he has done with complete immunity for the last few days.
Had the new Audioquest stuff on trial...not bad, but any of their cables with all silver just sound hard to my ears.  Just passed minimum break in time for my Transparent Plus loom Gen 5....oh boy, the whole room is energized with dynamics and a full, complete tonality that is rarely conveyed!  All the detail without overemphasis and so right sounding.  I think I have my winner...lightyears better than anything I’ve heard to date!!
Can we please have a little consensus here? What’s the hold up? There doesn’t seem to be consensus on ANYTHING. 😳
Alrighty then...IMHO and substantial experience, I have achieved my best results with either Transparent Cables or MIT.  Their superiority really becomes apparent when you compare them to other various cable manufacturers offerings in your own system.  It can be quite dramatic and ear opening as to the full potential that can be unleashed from your gear with these cables.  Currently I have found that Transparent has taken the lead with the Generation 5 designs....I can only give them praise as I’d be hard pressed to hear any weaknesses.  Everything comes through in full measure and in correct proportions.  Music just sounds stunningly realistic!  
I mentioned it before, silver is a lot more difficult to use than copper is. Most people will always refer to cables. When it does not work, the cable is the one to blame. But when you do audio by Tru-Fi, it often shows that there is a different reason for the fact that silver does not work in that particular system.

Most audio products can only create a limited level in layering in sound. When you use silver in these systems it will make the end result rather clean in sound. When you use copper instead it will make the sound more diverse and pleasant. But when you use products like amps and sources who are exceptional in diversity in sound silver will not show the clean and harsh sound anymore. And will give you still a high level in diversity with even more details in the high frequencies.

The other problem can be found in tweeters. Older loudspeakers have a lot more difficulties with silver compared to newer tweeters. There are many dome tweeters who are not that found of silver. The other thing is the big differences in the quality of silver. Even with AudioQuest cables, these differences are more than clear. You cannot compare the WEL Signature and Wild Blue Yonder with the Fire and Wind. Both the WEL as the Wild are a lot more easy to use. The Fire and Wind can sound in some situations a bit more clean and harsh.

But using silver in power cables is even more difficult and complex. I’ve done a lot of research between power cables sinch 2002. Silver works well with subwoofers, but for amps, sources, and pre-amps I prefer copper. The most impressive step AudioQuest made with their new loudspeaker cables is that some new copper reveals more details in the high freq. than the older ones with silver. Some people believe that silver will give them more resolution compared to copper. But that is not true either.

Brands as Transparent, MIT and Tara Labs only use copper. But when your systems own amps, sources, power supplies who can create a stunning level in diversity silver can bring you further than copper can create. This is why it is so important to understand an be aware of the DNA of every single part within your system. This is the only way to understand what can be used and what will not work based on its DNA (aspects/properties of sound it owns and misses)