Technics SL-23 TT opinions.. mated with Denon DL-103?


I was looking through Craigslist and found a Technics SL-23 for sale for $150.00.  Would this be a good table to mount a Denon DL-103?
128x128coachpoconnor
Chakster
At least you make me laugh....
Not sure if you are being deliberately obtuse but yet again you missed my point entirely!

No I never said it would be a good idea to run a 103 on a BLACK Widow.
No I am not advocating everybody rush out and buy one and do this.

My point was to the OP that if he had a 103 then just because on paper it is a total mismatch do not be afraid to try it.

As it turns out he does not own the 103 so no obviously not sensible to buy one on the slim off chance it could work but rather go for a good known mm.

And I never said I am actually USING that combo either!

When i bought the table it came cw 103 mounted to the Widow already so obviously I tried it even though theory said it should be awful.

It was not and it was actually listenable.
But not as goid as vintage mm carts which rapidly replaced it.

I was relating my experience but you seem to only want to take oblique sideswipes at me instead of seeing my post for what it was.

But here you go Chak if it will help you sleep tonight.

You are right.

There, feel better now?
Zu audio produces a modified Denon DL 103 that is meant for a Denon VL-12 turntable. How does this combination fit into low compliance cartridge, heavy mass arm theory? 
When I was into vinyl, I was beyond all of the lp playback gear mentioned above. Just saying. If I were buying a Denon 103 ( or any low output mc cartridge ), to be used on a Technics SL 23, I would rewire the tonearm cabling, without a doubt. I would further damp the subchassis, the platter, and change the mat. I am also of the belief ( as I started out as a Linnie ), that a better table is the key. Think of it this way. The tt / record is a road. The tonearm is a car. The cartridge / cantilever / stylus is the tire. The entire record playing process is to minimize any additional vibrations / resonances as seen by the stylus. This is the reason I got out of vinyl. My ear continued to hear imperfections in the playback gear, and the cost it required for me to enjoy it became exuberant. YMMV 
Zu audio produces a modified Denon DL 103 that is meant for a Denon VL-12 turntable. How does this combination fit into low compliance cartridge, heavy mass arm theory?

I must say that i am a big fan of Zu Audio speakers, also i like people at Zu Audio.

But regarding the cartridge i have to say they are NOT manufacturer, Zu Audio just replaced the stock Denon plastic body to a much better one made by ZU in USA. Their higher graded Denon is just selected stock Denon. Zu Audio has been selling Denon DL-103 in a custom body for years and the best arm for their cartridge was Audiomods (made in UK).

Before Zu Audio started selling modified Denon DJ tunrtable they did an excellent mod of Technics SL1200MK2, the stock arm was replaced with Audiomods and the cartridge was Zu Denon DL-103.

I’ve never tried that new Denon turntable, but with superheavy headshell, heavy mounting screws and maybe heavier counterweight the tonearm mass can be increased.

Personally i have no idea why anyone should use DL-103 if any vintage MM cartridge (same price) is much better than Denon.

But i know why Zu Audio are happy to make their modified version of Denon DL-103 and even modified version of new Denon turntable. I think it’s profitable and the wholesale price from Denon for Zu Audio is pretty low (i’m sure it’s a good business).

However, if you will visit Zu Audio show in USA you will see Sean Casey playing record from Luxman PD-444 turntable! The arm is Thomas Schick designed for low compliance Denon DL-103 and Ortofon SPU.