"wood is too random and has unavoidable colorations"
But I also think it’s a starting place for those experimenting. A lot of my clients start off DIYing their wood pieces which I think is cool. Then when they get the real thing and comment on why does the authentic MGA wood sound so much better. The products I do sound better because it is born with a purpose, it’s not random but specifically chosen and voiced. My curing shop resembles an instrument builders space.
I shipped 65 8’ long pieces last week to one client and when the shipper was loading he picked up a piece and went "d***". Then I played the piece of wood for him and he freaked out.
But again everyone needs to start somewhere and many times the first DIY approaches get the wheels turning so I try to encourage playing around with different tones. Ultimately though getting the real thing is much easier to tune with. Plus buying the real thing is a lot less expensive than the learning curve of voicing.
Michael Green