Daedalus Audio Apollo Speakers


Part I:

“Your cabinets are done--they look beautiful”. I wasn’t talking to the guy doing a custom kitchen in my mansion on the hill. I was talking to Lou Hinkley of Daedalus Audio. When was the last time your speaker guy said “your cabinets are done”? If you answered “never”, you may want to give Lou a call. It feels pretty cool. And based on the pictures I’d received over the past few weeks they did indeed look quite beautiful. The cabinets in question would eventually house top flight drivers, crossover components and wire, but for now they were just pretty boxes--very pretty boxes.

Fast forward several weeks and the cabinets, now cured and fully loaded, were on their way to New Jersey for the holidays. Well, it sure seemed that way--until one of them showed up without his twin brother. That was Christmas eve, and the next four days would be some of the most difficult and frustrating of my audio lifetime. Fedex, overwhelmed with holiday traffic, provided daily delivery confirmations that kept me waiting by the door, like a jilted lover left standing at the altar. At one point my little lost Apollo sat for two days in Ohio--a victim of Christmas revelry and the subsequent hangover? Once loaded on a truck he made only as far as eastern Pennsylvania, teasing me from across the Delaware River like Washington did to the Redcoats in the winter of 1776-77. Finally, on the 28th, he finally found his way home, inside a box that clearly tested the limits of Lou’s exceptional packing. Not to worry--inside was all smiles and my saga ended on a happy note.

Now those beautiful cabinets stood like sentinels flanking my equipment rack. Taking in the exceptional craftsmanship, careful selection of materials, and tasteful design elements I was completely overcome with joy. My outgoing Daedalus DA-1.1s were simply georgeous--I really hated to see them go. But the Apollo’s, impossibly, offered something even more pleasing to the eye. An ever so slightly more compressed and robust appearance--more Lawrence Taylor than Dwight Clark, for those of us who recall the football superstars of yesteryear. The proportions are so correct, and the multiple angles (only one 90 degrees in the whole box) so subtle that a week later I am still discovering (and appreciating) new bends as the sunlight moves through our living room.

Lou calls the Apollo’s his “desert island” speakers and I can see why. The size and shape of the cabinets suggest a pleasing appearance in both large and small rooms. Mine is only 13 X 17 X 8 and yet they do not dominate the space. Yet should I ever have the opportunity to place them in a much larger venue, I am sure they will project a confident presence. And then there is the wood--hand selected planks of quarter sawn white oak--including, at my request, on the baffle and rear panel to create a contiguous facade--gently stained to match our Stickley heirloom furniture and buffed to a satiny patina to reveal the complex grain structure of the wood. And finally, a simple, dramatic yet somehow understated inlay pattern on the lower half of the baffle--comprised of several exotic (yet renewable) hardwoods carefully selected and unique to this project.

The Apollo series represent the pinnacle of the Daedalus lineup, with three models that incorporate a new 10” woofer that is made to Lou’s specifications. Lou feels that this driver has a “special magic” and designed the Apollo series to take advantage of the speed, power, and smooth midbass response the ten inch woofer provides. In addition, the Apollo series loudspeakers feature extensively braced asymmetrical cabinets and deploy Duelund resistors and Mundorf EVO Gold capacitors--housed in a fully isolated and sealed crossover panel--to further increase speed, detail and refinement. Finally, the Apollo’s incorporate additional enhancements that are now featured in every Daedalus loudspeaker--trim rings for the woofers and midrange driver (a modified Fostex full range) that substantially reduce distortion, and a new tweeter from Eton that provides more speed and extension without a hint of strain or fatigue.

The Apollo’s, which represent the smallest speaker in the series, feature a clustered driver array that acts like a point source for exceptional imaging and peerless coherence, even when used in a near-field application. Also available from Daedalus are five additional models of varying sizes and driver configurations that utilize a custom 8” woofer and a subwoofer (BOW) with a passive crossover. (Not to mention a range of accessories and isolation devices that work wonders under DACs and other electronics that are sensitive to vibration). In sum, Daedalus now offers a full line of handcrafted loudspeakers that combine cutting edge crossover networks, custom drive units, and handcrafted hardwood cabinets--all brought together in the service of music by Lou Hinkley, a musician and craftsmen with over twenty-five years of accumulated wisdom in the field.

“Your cabinets are done--they look beautiful”. They sure do. And boy were they worth the wait.

To follow…..the set up and the break in process.

128x128dodgealum
Great review!  (Both of them, actually!)

Part of me can’t wait to hear these beauties...and part of me (my bank account) is recoiling in fear.  I trust your listening impressions and expect to be blown away.

I totally agree on the cables - they really are a component upgrade unto themselves.

Congrats again!
Initially, I used some rubber feet on the bottom of the Apollo's so that I could move them about to dial in the best position in my listening room. As I said, I don't have a lot of space to play with so there was very little moving going on--a slight toe in and some measurements to make sure the two speakers are exactly the same distance from the rear wall. I had planned on doing some broader experimentation with different spikes and footer products, but time has been tight the past few months and I was not able to do so. I had a set of Stillpoints Ultra SS to try and compared these with some new, beautiful spikes that Lou introduced recently. They are extremely well made, attractive and have nice leveling thumb screws. Lou also sent me his speaker DiDs to use with the spikes but for various reasons I was unable to try these. I've seen this combination at shows and my sense is that this is the hot ticket for Daedalus speakers--the new spikes coupled with the speaker DiDs. That said, I tried the new spikes sans DiDs and they were an improvement over the rubber feet in all the ways you might expect--tighter focus, better bass and a more holographic sound. I then substituted the Stillpoints Ultra SS and was somewhat surprised at the performance gain over the spikes--it was substantial. I was hoping this would not be the case as the Stillpoints are very spendy. But the Ultra SS made the speakers completely disappear--stunning really. The soundstage became much more expansive and layered, creating an eerie sense of realness that was addictive. I also noted an increase in clarity and focus as the performers emerged from the blackness. My guess is that Lou's new spikes coupled with the speaker DiDs will bring a similar level of performance at a fraction of the cost of the Ultra SS. I plan to try this set up once things calm down and I have some time to play around. But for now my listening sessions are going to focus on the music, not the accessories. I love the sound I am getting from my Apollo's--it has been four months now and I am still smitten and consider myself blessed to own these masterful creations.
They are nice speakers but Xover components  not even close to top quality , Mundorf evo series way too much plastic takes away from naturalness, Now Duelund capacitors they  are up there their cast, but not their resistors the carbon masks detail I have used them all, and for example Caddock which Wilson use on several series verydetailed, Path Audio is currently top resistor in North America.  Jupiter, Millflex. And Jensen Copper foil paper oil caps 
all all more natural then Mundorf, and Their Supreme series is their 
best efforts. I am just stating that natural Copper foil, oiled paper 
jensen has been doing in Denmark for over 90 years, Duelund 
has their own methods very-similar though, and share the same building. Jupiter again natural long grain waxed paper-copper foil .
my point the Apollo can be noticeably better still .the Xover parts 
would cost you perhaps another $1-2k  but the end result would be superb.i spent 20+ years and owned a Audiostore for 10 and 
listened to many of the best and heard the best capacitors and parts out there. Just go to Humble homemade hIfi capacitor test
it is a pretty accurate capacitor cook book.

What kind of speaker does audioman build I would like to take a listen ,if it tops the Apollo series it must be the goat of all speakers .very nice review on your new speakers and wires good listening 
Apparently what is considered "top quality" is pretty subjective, eh? Also there is the question of what one is trying to achieve?
We use top quality capacitors ,many of them made for us, to achieve as transparent a sound as possible. There are others we could use similar to ones mentioned that to my ears have a certain sonic signature. While that may float someones boat it is not what we do here. That being said yes there are other caps we could voice with that we could achieve similar results to what we get currently and possibly even be very slightly better. After many decades of experience we have found that a blanket replacement of caps does NOT necessarily result in better sound and can sometimes degrade that sound at great financial cost.