Dear @noble100 : Yes, with two true self powered subs for one seat position. We don't need more for that target. The Harman white papers confirm it.
I think that even that we agree in some bass management subjects the reality is that we can't agree and not because " we can't " as is but because looking your streamlinen system your targets and mines are totally different.
I don't use my system for HT and two channels listening MUSIC. My system was and is developed exclusively for listen two channels MUSIC, nothing more. Music coming from digital and analog alternatives.
As I told you my main target is to stay " nearer/truer " to the recording and to achieve that target I need a very high resolution room/system that means very high quality performance of any single link in the overall audio system chain with true accuracy and the lowest any kind of distortions I can achieve.
Obviously that to achieve all these we have to take care for the minimum details where in HT no body cares and even in two channels system some audiophiles not cares either.
I gave that little explanation due that you said that using the high-pass filter you was not aware of differences in the quality level performance in the mid/high frequency ranges in your system.
After looking your system I understand now why you been not aware about: your system has not the resolution need it for even that very wide frequency bass range in the Magnepans.
As a fact you are not trying to put all kind of distortions at its minimum you can and that's why you gave me an answer that THD in the quasi-subs you own was not so important when in reality is way important with true self powered subs in a only two channels system. Everything is important and with high priorities in a two channels room/system when we want to stay not so far aways of live MUSIC as normally we are.
Mi reference to achieve my target is live MUSIC seated at nearfield position ( 2-3m. ) that's where the recording microphones are positioned.
For me is really important and was one of the reasons I choosed my servo controled Velodyne's that check every second 16K times the woofer excursions to mantain at lower than 0.5% the THD. Other than Velodyne I don't know other true subs where the manufacturer gives the THD in its products.
I think I already mentioned that the JL very well regarded subs measured through Stereophile review around 6% on THD other subs reknowed subs are worst that that and certainly far away from that Velodyne figure.
I totally understand your fascination for your 4 quasi-subs bass array because for that price is almost imposible to achieve what you like in your system.
The manufacturer design must had to make " serious " compromises to stay at that so low price for the complete bass 4 array.
Anyway, at the end you have what you and me were looking for and if both of us achieved our targets then this is the more important fact.
Regards and enjoy the MUSIC NOT DISTORTIONS,
R.
I think that even that we agree in some bass management subjects the reality is that we can't agree and not because " we can't " as is but because looking your streamlinen system your targets and mines are totally different.
I don't use my system for HT and two channels listening MUSIC. My system was and is developed exclusively for listen two channels MUSIC, nothing more. Music coming from digital and analog alternatives.
As I told you my main target is to stay " nearer/truer " to the recording and to achieve that target I need a very high resolution room/system that means very high quality performance of any single link in the overall audio system chain with true accuracy and the lowest any kind of distortions I can achieve.
Obviously that to achieve all these we have to take care for the minimum details where in HT no body cares and even in two channels system some audiophiles not cares either.
I gave that little explanation due that you said that using the high-pass filter you was not aware of differences in the quality level performance in the mid/high frequency ranges in your system.
After looking your system I understand now why you been not aware about: your system has not the resolution need it for even that very wide frequency bass range in the Magnepans.
As a fact you are not trying to put all kind of distortions at its minimum you can and that's why you gave me an answer that THD in the quasi-subs you own was not so important when in reality is way important with true self powered subs in a only two channels system. Everything is important and with high priorities in a two channels room/system when we want to stay not so far aways of live MUSIC as normally we are.
Mi reference to achieve my target is live MUSIC seated at nearfield position ( 2-3m. ) that's where the recording microphones are positioned.
For me is really important and was one of the reasons I choosed my servo controled Velodyne's that check every second 16K times the woofer excursions to mantain at lower than 0.5% the THD. Other than Velodyne I don't know other true subs where the manufacturer gives the THD in its products.
I think I already mentioned that the JL very well regarded subs measured through Stereophile review around 6% on THD other subs reknowed subs are worst that that and certainly far away from that Velodyne figure.
I totally understand your fascination for your 4 quasi-subs bass array because for that price is almost imposible to achieve what you like in your system.
The manufacturer design must had to make " serious " compromises to stay at that so low price for the complete bass 4 array.
Anyway, at the end you have what you and me were looking for and if both of us achieved our targets then this is the more important fact.
Regards and enjoy the MUSIC NOT DISTORTIONS,
R.