How far have ss amps really come in the last twenty years?


I have owned and enjoyed my Jeff Rowland model 8 ( recently modded and upgraded by Jeff to the last version) for many years. I recently had the opportunity of comparing it ( after mods) to a few of the current ss models from Gamut, D'Agostino, YBA, Parasound, Sim audio, CH precision, Constellation,PS audio,Pass Labs  and Musical Fidelity. The results were very interesting, because to my ears and in the systems that we did the comparison, the Rowland held its own against all but the most expensive D'Ag and CH amps. Even those were only very slightly outclassing the Rowland in the areas of top end resolution...and a tad in the bottom end resolution. Now the thing is that the last revision to the Rowland 8 was designed by Jeff over ten years ago! 
So, my question for those more technically inclined than myself is...how far has the design of ss amps come in the last ten...or even twenty years? 
128x128daveyf
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amp tech has stalled in terms of design, although in terms of innovation and advances on some themes, amp builds are being updated with fresh lines of thought on how best to get from input to output.

one example I recall from reading articles on various amp tech is a more limited, or sparse approach in the use of MOS FET devices. presently some makers have reduced the amount of these devices within amps choosing instead of using four, six, eight or mnore to using only a pair per ch in the amp output stage, yet choosing them a lot more carefully with matching them electronically a far higher priority..

otherwise we have to be in agreement that the evolution of the parts themselves has escalated performancewise, and greater attention to isolation and power sup builds has handed us at least SS hybrids, class A, and A/B amps which appear to perform on higher levels with at times fewer parts.

new BK amps from PS Audio for example use this less is more approach. I believe darTZeel was using just one pair of bi polar devices back in '04 or '05 rather than multiples of same as has been the case so very often with sand amps which opt for such device topologies.

although this minimalistic attitude has been ongoing for a while in some maker's amps, it is in fact, 'new' design techniques, so there's that.

more tube amps are now using cathode follower designs for continuous auto biasing rather than mandating owners to self bias each amp and as said, actively engaging a 'continuous' auto bias circuitry, ala vAC's IQ line of amps.

jolita Black Ice INTs partnered with FOSGATE designer to add in a sound enhancing tech to their 18 and 50wpc INT models currently available, or so I've read/heard.

its a tuff act to build an amp whose design is completely unknown, brand new, or not another take on a proven method.

its like reinventing the wheel.

one likely has to hang their hat on the 'less is more' tact, and greater attention to detail in the build's layout as something fresh in amp design, yet its not a totally new 'ground up' blueprint, just different.

i think until someone discovers the 'never before' ways and or means to transmit and develop signals, and does the same for output stage thinking, we will have to be satisfied with innovation and refinement, rather than be unsettled with the SOTA of amplifier philosophies seemingly remaining unchanged.

@string>
I suppose you have switched spkr cables from left to right to see if its not the spkr itself by now, and as such it is a disparaging and interesting concern at the same time.

Much luck to you.
stringreen, I have to ask, as I might have missed something, so sorry...have you tried using another amp during this time, and have you completely reversed the left and right channels of the system, into the speakers ? In other words, the left speaker was receiving all of the right information, and the right receiving the left. Also, did you exchange the left and right speakers during this time ( physically ), to see ( hear ) if anything has changed. You also mention it cannot be coming from the preamp, based on your dedicated headphone amp not showing the problem. I would try and eliminate the preamp, if you can, and drive the amp only with a source, such as a cd player. If you do not have another volume control anywhere, you can take a cd, that has an extremely low passage, just to listen, for that moment. It is possible your preamp is picking up rf, or something else. I would not count out the preamp as being the source of the issue. Simply trying to help. Always, MrD. 
@mrdecibel : I have never been in a rock band and my hearing is still good! Right in front of me to my left is a Richard Brown Electronics Lab BEL 1001 amp (serial no. 0001). A favorite of Harry Pearson's from 1980. This requires an IEC cord - for which I bought a $99 Pangea from Audio Advisor. My TOTL Toshiba DVD player (2003) needs the same. So there, at least two pieces using IEC outlets!

I will put that BEL 1001 amp (first production one!) up against any of today's pricey gear! For too long audiophiles have been conned into the belief "spend more, get more"! So a $10K amp has to be sonically much better than a $1K amp? And a $50K amp better than the $10K amp? Not necessarily true! With electronic gear diminishing returns sets in quite quickly!