I doubt anyone with a Stellavox or Studer, first, needs parts except possibly heads, and second, would part with it for less than several thousand dollars at least. Of course, I could have mentioned Nagra if I knew someone wanted to buy one, but you can go to ebay or whatever if you wish to buy an analog R2R. I don't have the available funds, personally. You can send it back to Nagra for a complete refresh using original parts as well.
Today they are surviving very well with high-end digital, but that's another story and involves actually producing products that are capable of high quality digital recording AND they have analog inputs as well to use on film sets, etc. I am certain that Foley people have many historical sounds on analog tape in their libraries that they still use.
When the OP posted that this format was dead--obviously just a troll trying to stir up whatever--I was motivated to remind audiophiles that many of the "live" recordings they love so much and almost all first-tier films were done on these analog machines, to their great credit and sound quality.
Regarding musicians and digital, sure it is easier. It is also easier to eat at McDonalds than to cook your own food. Choices, choices...
Cheers!
Today they are surviving very well with high-end digital, but that's another story and involves actually producing products that are capable of high quality digital recording AND they have analog inputs as well to use on film sets, etc. I am certain that Foley people have many historical sounds on analog tape in their libraries that they still use.
When the OP posted that this format was dead--obviously just a troll trying to stir up whatever--I was motivated to remind audiophiles that many of the "live" recordings they love so much and almost all first-tier films were done on these analog machines, to their great credit and sound quality.
Regarding musicians and digital, sure it is easier. It is also easier to eat at McDonalds than to cook your own food. Choices, choices...
Cheers!