First off just want to extend great thanks to everyone who has chimed in. A lot to research and a lot to think about. This is what I was hoping for in posting - a bunch of different suggestions and perspectives, so again, greatly appreciate it!
To answer @tlinkie there's nothing I strongly dislike about the Cambridge per se. It's a wonderful amp, an exceptional value, and I've enjoyed it for 2 or so years. As mentioned earlier I am wanting to move it to a second smaller system which is part of the reason I'm in the market.
If I had to say what I wish the cambridge improved upon in my current setup it would be a wider sound stage with stronger placement, better articulation, a little less bright, and some more heft behind the sound overall. I think I can best describe it as sounding a bit thin and not so sure footed with instrument placement on tricky tracks. I think it works wonderfully for most classic era jazz but if I put on an album like Herbie Hancock Headhunters it leaves me a bit underwhelmed. The strong, very present bass throughout gets a little flabby and lost and it struggles sometimes with the treble being overly harsh. When listening to MFSL Miles Davis' Someday My Prince Will Come last night, although I was pleased and engaged with what I was hearing I couldn't help but want the music to reach me more. And by reach I mean in the actual physical sense, the notes seem to fall short quickly and space between is lacking. Anyways, wrote this quickly and hopefully that makes some sense!
Thanks again everyone!
To answer @tlinkie there's nothing I strongly dislike about the Cambridge per se. It's a wonderful amp, an exceptional value, and I've enjoyed it for 2 or so years. As mentioned earlier I am wanting to move it to a second smaller system which is part of the reason I'm in the market.
If I had to say what I wish the cambridge improved upon in my current setup it would be a wider sound stage with stronger placement, better articulation, a little less bright, and some more heft behind the sound overall. I think I can best describe it as sounding a bit thin and not so sure footed with instrument placement on tricky tracks. I think it works wonderfully for most classic era jazz but if I put on an album like Herbie Hancock Headhunters it leaves me a bit underwhelmed. The strong, very present bass throughout gets a little flabby and lost and it struggles sometimes with the treble being overly harsh. When listening to MFSL Miles Davis' Someday My Prince Will Come last night, although I was pleased and engaged with what I was hearing I couldn't help but want the music to reach me more. And by reach I mean in the actual physical sense, the notes seem to fall short quickly and space between is lacking. Anyways, wrote this quickly and hopefully that makes some sense!
Thanks again everyone!