@daveyf "
@atmasphere Distortion is an interesting term. Distortion compared to what? You mention that the human ear treats 2nd and 3rd harmonic distortion favorably. Therefore, one needs to question whether these distortions are distortions at all. Since we, as humans are using our ear/brain to determine what is considered as a true and pure signal, wouldn’t it make more sense to label a signal that doesn’t include these 2nd and 3rd harmonics as the signal that is actually distorted...?"
Are you serious!?? It is not the job of an amplifier to supply anything to the signal. The recorded signal should contain the actual harmonic structure of the timbre being captured. The amp should do nothing more than reproduce that - NOT add something to it. @atmasphere is just trying to tell you that one reason that amps sound different is that they distort the recorded signal by adding their own 2nd and 3rd harmonic distortion in varying degrees. If you are trying to behave as a chef and add your harmonic spice to suit your taste, then find an amp the has the distortion profile that you like. If you want to hear the recording, get a transparent amp with little added harmonics and clean up the upstream equipment as well. You may not like what you hear in a lot of recordings though. If you have found a way to create, by your choice of equipment, distortions that make all of your recordings sound decent, then fine. I can understand that.
I have come to a place where accuracy is more interesting to me. I am fascinated to hear the "flaws" in recordings and marvel when I hear record-engineering excellence. But it does take some adjustment to appreciate the underlying performance when you have a relatively transparent system and the recordings have glaring problems.
Are you serious!?? It is not the job of an amplifier to supply anything to the signal. The recorded signal should contain the actual harmonic structure of the timbre being captured. The amp should do nothing more than reproduce that - NOT add something to it. @atmasphere is just trying to tell you that one reason that amps sound different is that they distort the recorded signal by adding their own 2nd and 3rd harmonic distortion in varying degrees. If you are trying to behave as a chef and add your harmonic spice to suit your taste, then find an amp the has the distortion profile that you like. If you want to hear the recording, get a transparent amp with little added harmonics and clean up the upstream equipment as well. You may not like what you hear in a lot of recordings though. If you have found a way to create, by your choice of equipment, distortions that make all of your recordings sound decent, then fine. I can understand that.
I have come to a place where accuracy is more interesting to me. I am fascinated to hear the "flaws" in recordings and marvel when I hear record-engineering excellence. But it does take some adjustment to appreciate the underlying performance when you have a relatively transparent system and the recordings have glaring problems.