Blind fold hearing test


How many of you could be blind folded or put in a room in total darkness and know what kind of speaker amp and preamp are being used. Another words if u came blind folded in my listening room could u tell I was using a Krell amp a ARC pre and B&W speakers? Not necessarily the models but more or less the brands. I would be the first to say for me it would be no. Would love to see how many of you could. Should be interesting. 
128x128Ag insider logo xs@2xtattooedtrackman

Than you for setting the record straight in regard to the person, I referred to the lab, but I still have my Stereo Reviews where he stated he could not tell the difference between high quality amps.

I held Julian Hirsch in high esteem and doted on every word he wrote, but it was revealed that his hearing was not the very best, as knowledgeable as he was. I only know what I read in "Stereo Review".

To have had Julian Hirsch as an instructor certainly adds validity to what you write, but with all due respect to you and Mr. Hirsch, his hearing was not the best. I read him for many years, and believed what I read. Much later I discovered he was in error on some of his amp reviews. Since I'm positive he would not lie, his reviews meant he stated what he heard.

Out of the many years I read him, those were the only errors I discovered, and since he told the gospel truth in regard to what he heard, the only conclusion one can come to is, "his hearing was not the best".
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Before continuing my discussion with Viridian, I'll answer the blindfold question. For a multitude of reasons it's irrelevant; one reason is that there would have to be a significant difference between the components, which would also be in price as well, in order to tell the difference in a short time blindfolded; why bother?

If you're going to make an intelligent purchase, which is the only reason to take the time for the test in the first place, too many factors must be known that can not be determined in a short time.

Julian Hirsch and Hirsch Houck laboratories were synonymous; he spoke for the labs.

Although you had personal contact with Julian, we both had an affection for the man. Mine was from reading his reviews for so many years and considering every word gospel until I got into the "high-end"; that's because specifications don't mean as much, more is determined by one's ability to hear.

As we age, our hearing diminishes, that's a fact of life. While the price difference between high quality "mid-fi" and high end is huge, the audible benefits are only worthwhile if you have the ability to hear all the subtle differences. The same goes for tube gear with expensive NOS tubes.

In regard to "tubes" he states all the drawbacks, and skims over the reasons some of us have gone back to tubes; he states,

"I am less than enthusiastic about about them, principally because they appear to be inferior to comparable solid-state amplifiers in respect to cost per watt, heat generation, frequency response flatness, distortion, and perhaps ultimate reliability as well".

While that statement had much truth in it, the fact that tubes reproduce music better than solid state was left out.

In his reviews, he omitted the subjective part that was included at the end of a "Stereophile" review, relying solely on his technical measurements to speak for themselves.

Time, and time again he bypassed, or omitted anything that required a subjective listening or hearing call, and when he did, while he stated there may have been differences between high quality SS amps, he didn't hear the difference.

What I'm stating is my sum total of 20 plus years of reading his reviews on high quality SS audio amps; his omissions spoke volumes to me after I got into the "high-end" and heard all the things Mr. Julian Hirsch didn't hear.

             


If I’m not mistaken, what Julian Hirsch actually stated is that generally amplifiers that measure the same sound about the same. Which is obviously different than saying all amplifiers sound the same. Of course, today, 40 years later, we know there are many more variables involved in the sound of an amplifier including, but not limited to, vibration isolation, speaker cables, power cords, fuses, capacitors, and room acoustics.