Recommended receiver for HT


I plan to downsize from Bryston SP-3 processor and Parasound amps to a single receiver for HT. The speakers would be KEF T301 fronts; LS50s are side and rear; subs are pairs of Velodyne HGS-15s and HGS-10s with SMS-1 bass management. Sources are Cox TV, Ayre DX-5 DSD, and perhaps Oppo 205 or 105D. Stereo music is a separate setup. I’ve been out of the receiver market for decades, so I’m seeking recommendations for a used receiver at moderate cost.
Ag insider logo xs@2xdbphd
Hello dbphd,

     Okay, thanks.  I'll just monitor this thread awaiting an update from you in the next several weeks.

Later,
 Tim
I installed the NAD M22 amp today, sourced via balanced analog from an Oppo 205 and driving a pair of KEF LS50s.  I've yet to connect the subs or NAD C 268 surround amps.  I started with the Time Out SACD; the stereo sound is excellent.  Kal Rubinson's rave review of the M22 in Stereophile seems justified.

I'm awaiting a pair of 15' Mogami cables from LA Pro Audio to connect the surrounds, and I'm looking for my RCA splitter cable to connect the sub out of the 205 to the Velodyne SMS-1 bass manager.

db 
Hello dbphd,

     Happy Independence Day!
    
       I'm very glad you like the performance of the class D NAD M22 driving your KEF LS50s.  
     I appreciate good class D amps for their very low noise floor, good bass and dynamics along with the very accurate, detailed and neutral midrange/treble response that still manages to be smooth and natural without ever being bright or harsh.  I've found them to be very close to the audio ideal of 'a straight wire with gain'; with nothing added, subtracted or altered from the inputted signals.  
    This accuracy and neutrality sounds great on good recordings and matched with high quality upstream components but it also will clearly amplify any faults in the sound caused by poor recordings and poor quality upstream components.  Personally, I prefer this accuracy and neutrality but I thought you should be aware of this quality of good class D amps if you weren't already.  Fortunately, you have high quality components so you'll only need to be concerned with the quality of your music recordings and other audio sources.
     Well, so far so good, right?  I'm looking forward to hearing your impressions once everything's completed, especially the four subs and how  the bass sounds and integrates.  

Later,
 Tim
Tim,

I've got to do a lot of comparative listening, but what I've heard so far from the 205/M22/LS50 chain has led me to question the need for the Ayre 5/20/Ref 1 chain.  It's that good.  I've played CDs and SACDs ranging from jazz (Take Five) to baroque (Corelli), Blu-rays from Legends of Jazz to Aida; the sound is superb for all. 

db
Hello dbphd,

     Awesome!  The audio section of the Oppo 205 is also very neutral and of high quality.  I believe your whole chain, 205/M22/LS50s would be accurately described as exceptionally neutral.  I think you'll continue to notice there's a more direct relationship between the quality of the recording and the quality of the overall sound than most systems due to the high degree of neutrality.  


Enjoy,
 Tim