Interesing @slimpikins5
What i’ve noticed about my Gold Note PH-10 is a lack of bass slam compared to my WLM Phonata Reference (a mosfet phono preamp).
Actually i feel the lack a bass using all phono stages in comparison with WLM Phonata with whatever cartridge.
Both the Gold Note PH-10 and my JLTi are great with everything, except the deep bass.
Listening the WLM with Miyabi MC or Grace LEVEL II i become addicted to bass. That phono stage was away for a long time, i got it back with replaced 47k Vishay Naked Foil resistors in MC section (with built-in SUT) , the independent MM section has been upgraded beforw with 100k Vishay.
I have no idea why other phono stages can’t reproduce the bass in such a good way as my WLM. The difference is huge in low register!
I wish to have same bass response on all my phono stages.
WLM was my first serious phono stage and still unbeatable in many aspects, i wonder how many phono stage we should try to find what we like.
What i’ve noticed about my Gold Note PH-10 is a lack of bass slam compared to my WLM Phonata Reference (a mosfet phono preamp).
Actually i feel the lack a bass using all phono stages in comparison with WLM Phonata with whatever cartridge.
Both the Gold Note PH-10 and my JLTi are great with everything, except the deep bass.
Listening the WLM with Miyabi MC or Grace LEVEL II i become addicted to bass. That phono stage was away for a long time, i got it back with replaced 47k Vishay Naked Foil resistors in MC section (with built-in SUT) , the independent MM section has been upgraded beforw with 100k Vishay.
I have no idea why other phono stages can’t reproduce the bass in such a good way as my WLM. The difference is huge in low register!
I wish to have same bass response on all my phono stages.
WLM was my first serious phono stage and still unbeatable in many aspects, i wonder how many phono stage we should try to find what we like.