The Gold Note PSU does not improved the bass, the rest of this phono stage is beautiful, except for the lack of deep bass response. But almost any phono stage i have heard does not reproduce the bass as good as my
WLM phono stage. Each phono stage i have purchaced over the years gave me all required settings "on the fly" for any cartridge (MM or MC), but each time i’m using WLM i hear what i’m missing in low register. At the moment WLM is a champ in bass. My Miyabi MCA (LOMC) is the most organic and the most interesting MC cartridge i have owned, it’s definitely on the warmer side, the imaging is holographic and the silky deep bass is oustanding with WLM phono stage. Maybe this is all i need.
I decieed to pass on the caps upgrade, i did not realised how big is the
size of each cap until i got them by post (almost
like a beer can) so i returned them. But i have replaced all load resistors on my WLM, those naked foil vishay load resistors from texas components are oustanding.
At the moment nothing can beat the Miyabi MCA on Lustre GST-801 connected to WLM Phonata Reference.
P.S. thinking about Miyabi i remember 47 Labs
current injection phono stage 4712 (input impedance is ZERO Ohms), i’d like to try it with my Miyabi. I think @pani owned 47 Labs Cube. Actually my Miyabi MCA was made by Takeda-San prior to Miyabi 47.