Also try without anti-skating (and don’t use more that the tracking force)@chakster Thanks. Backing completely off the anti-skating allows the cartridge to hold the hot groove.
I am still curious about why these hot grooves appear in the last tracks of some LP’s. I read somewhere that some mastering engineers would back off on the bass in the later tracks because of the changes in record speed or cartridge geometry that occurs as the record plays through a side and some, like George Piros (re: Led Zep II first release) would cut hot all the way through. I was trying to find the article and I can’t...
Is there any plausibility that these hot grooves found later in a side would be a result of the physics of cutting? It is intuitive to me that for any same low frequency that the groove would present as a slow "hill" in the outer grooves because of the faster speed and more of a shorter "peak" in the slower inner grooves?