Thiel Owners


Guys-

I just scored a sweet pair of CS 2.4SE loudspeakers. Anyone else currently or previously owned this model?
Owners of the CS 2.4 or CS 2.7 are free to chime in as well. Thiel are excellent w/ both tubed or solid-state gear!

Keep me posted & Happy Listening!
128x128jafant
Sandy - Here's a recap of model strengths and upgrade strategy. I hope those interested find value and that others can allow an old man his remembrances. The model 3 was our first best guess of addressing the most things required of a loudspeaker. A long-excursion 10" 3-way to fill a decent sized room at decent sound levels. On the heels of the success of the CS3 (1983), there was an expressed interest by supportive dealers for a little sister at lower cost for smaller spaces, larger than the 04 / 6.5" 2-way. The CS2 was developed in response and in communication with dealer feedback, much like the 02 / 04 had been. Now, in the used market, cost is no longer a differentiator, but, the personality is distinct. The smaller diameter drivers produce a more delicate, intimate presentation, and tend to excel in low-level conditions.

As to which generation of each model to upgrade, there are real issues of driver availability to consider along with technology maturity considerations. Rob and I discussed driver repair and replacement options. The CS2's drivers are no longer available, plus they were prone to destruction by over-driving, and they were basically customized, ordinary drivers. Also, the solutions developed for the CS2.2 system were qualitatively more successful than the original CS2; each generation stands on its predecessors' shoulders. The 2.2's drivers are quite special. The tweeter was developed in-house for the CS5 and includes the first generation of shaped magnet structure, copper sleeves, custom dome geometry and so forth - a breakthrough driver in its day. The midrange also contained significant customization including its fibrated, poly-coated cone. The woofer was the first iteration of the dual cone which graced future drivers up to the x.7 star geometry, as well as other leading edge motor developments. As the production designer, I love the 2.2 as the first product designed in conjunction with our in-house CNC capability. Previous products had been partially migrated onto CNC, but the CNC-native 2.2 went all-out with interior bracing, in-house milled passive radiator, flared mounting rings, interior driver relief machining, and matched grille / baffle contouring - all things previously unfeasible via manual methods. I also gravitate toward the final iteration of separate (non-coax) drivers for their place in history and wave-launch characteristics. For the seated listener the discrete drivers produce wave-forms free of the "moving waveguide" effect of the coaxes. And, personally speaking, I own the pre-production prototype CS2.2s and have used them in my work of recording evaluation for nearly 30 years, in comparison with other mixing and mastering systems . . . I know the 2.2s very well, allowing subtleties of changes to be readily apparent to me.

To summarize, the 2-series is preferable to some listeners over the 3-series, noted by the long-standing audiophile affection for the 2s. And, there are a lot of them out there. And the 2.2s are the oldest (1990) product with reliable driver availability. (I had dismissed the older 3.5 (1988) due to driver non-availability, but would love for suitable replacement drivers to emerge . . . but lots of ground to cover there.)
Each generation developed its technologies as the company developed its capacity to implement the products of Jim's creative mind and relentless experimentation. I think you would be pleasantly surprised to hear an original CS2 from 1985, or any of the further developments. I hope you'll be blown away by the 2.2s now in the works. The foundational knowledge and solutions developed from their upgrade process will apply to all the models we might eventually address.

I know this post is long and some of it repetitive of previous postings. But I hope it adds some value to the conversation.
Tom
rwmeditz,
Very impressed that you had a class with Paul Jacobs. Excellent, innovative pianist who died way too early. Many of his Nonesuch recordings have yet to be reissued, unfortunately.Re the Thiel 2.2 discussion here: I just shipped mine off to TMR in Denver. Look for them there. Nice speakers...but I can't have both 2.2 and 3.7 in the house!

tmsrdg
Good to see you again. I know your CS 2.2 loudspeakers will find the next good home. It is a very popular, older, model.
Happy Listening!
tomthiel
Thank You for continuing to add value to these conversations here.One could never reinforce information too much.

Happy Listening!
Tmsrdg

Paul Jacobs was an amazing teacher at Brooklyn College as well. After the first few classes I made sure to sit in the first row on the left so i could watch his hands glide across the keyboard and also really focus on the music. Knowing really nothing about music and only listening to rock I wanted to expand my horizons after hearing ELP'sversion of Fanfare for the Common Man and the classical influences of the Beatles. He concentrated on 6 composers of different genres. Bach's Cello Concertos, a late Haydn symphony, Debussey's La Mer, Stravinsky's Rite of Spring, Schoenberg and Bela Bartok. His anecdotes also offered great insights into the process of creating music and the lives of these composers, especially Stravinsky He really was a genius to be able to instill a lifelong love of classical music and teach someone with no prior musical education so much. His untimely death was a great loss.