This is a long description of my ownership experience, ending with a discovery I made that worked for me. I hope this may be of help to others.
I bought my new Ohm Walsh 2000s about 10 months ago, and have been a little ”torn" on deciding just how much I like them, until recently. From the beginning they felt a little too thin and airy, like the mid/upper bass was just a little too light. I knew they are very position dependent, and I spent a lot of time trying slightly different locations. Too close to the wall and the lower bass gets boomy and muddy; too far from the wall and all the voices reminded me of children's voices, with all others sounds just lacking in fullness. At the best position I could find for my room, it was good. Just good, not great. After all the steller reviews, and almost $3,000 spent, I was kind of disappointed. Except there were flashes of greatness, where certain instruments sounded so much like it was in the room with me that it was startling. And the sweet spot is, as advertised, a really big portion of the room. The imaging is good, I think. It does sound like the music is coming from the entire front wall of my great room, instead of just a couple point sources. I should mention that I do have a nice subwoofer, but the "problem" is more in the mid and upper bass.
I let the return period pass because of the hassle of trying to (triple!) rebox these big, heavy things, and the expense of shipping, and thinking that maybe my expectations were unrealistic and maybe this is about the best I can get at this price point. I haven't actually heard many high end systems, so most of my expectations are just based on written reviews and YouTube videos (looking at you, Zeos!). Then a few months ago (while looking for ways to improve the sound after realizing that I really should have returned them while I could), I read an article on the Ohm Walsh website about "How big is a big room". It seemed to me that the problem is that my great room is much bigger than is recommended for the 2000s. I talked to Evan about this, and he agreed that it sounded like I would benefit from moving up to the 4000's or the SSC 4900. They were willing to give me a 75% trade in value, but that felt steep to me considering that I was only 2 months beyond the free return period and I was buying a much more expense set of speakers from them. Still, it was truly my fault for not taking care of this during the very generous 4 month trial period.
While debating my options (and continuing to try to decide if there even was an actual problem at all), I read something about Dirac room correction software. I already had a MiniDSP 2x4HD, and it could be downloaded as a software upgrade. Dirac is supposed to automatically measure and compensate for some of the acoustic flaws that all rooms have, but in some way that goes beyond a typical EQ, something involving phase and timing. It also allows manual tweaking of the target frequency response curve. I had played with making some eq-type changes using the MiniDSP parametric equalizer and REQ room acoustic analysis software, but that gets very complicated and I just didn't have that kind of time. The results I got from my brief efforts: meh. So, I ran the Dirac room correction on the stock/recommended frequncy curve, and it sounded better! After a couple weeks, ran it again and played with the frequency response curve to boost the bass a little (a lot!) more, and now it sounds exactly like I always wished it did. Exactly! I love the sound of everything it plays, now! Couldn't be happier. And I had no idea that I was a bass-head!
I bought my new Ohm Walsh 2000s about 10 months ago, and have been a little ”torn" on deciding just how much I like them, until recently. From the beginning they felt a little too thin and airy, like the mid/upper bass was just a little too light. I knew they are very position dependent, and I spent a lot of time trying slightly different locations. Too close to the wall and the lower bass gets boomy and muddy; too far from the wall and all the voices reminded me of children's voices, with all others sounds just lacking in fullness. At the best position I could find for my room, it was good. Just good, not great. After all the steller reviews, and almost $3,000 spent, I was kind of disappointed. Except there were flashes of greatness, where certain instruments sounded so much like it was in the room with me that it was startling. And the sweet spot is, as advertised, a really big portion of the room. The imaging is good, I think. It does sound like the music is coming from the entire front wall of my great room, instead of just a couple point sources. I should mention that I do have a nice subwoofer, but the "problem" is more in the mid and upper bass.
I let the return period pass because of the hassle of trying to (triple!) rebox these big, heavy things, and the expense of shipping, and thinking that maybe my expectations were unrealistic and maybe this is about the best I can get at this price point. I haven't actually heard many high end systems, so most of my expectations are just based on written reviews and YouTube videos (looking at you, Zeos!). Then a few months ago (while looking for ways to improve the sound after realizing that I really should have returned them while I could), I read an article on the Ohm Walsh website about "How big is a big room". It seemed to me that the problem is that my great room is much bigger than is recommended for the 2000s. I talked to Evan about this, and he agreed that it sounded like I would benefit from moving up to the 4000's or the SSC 4900. They were willing to give me a 75% trade in value, but that felt steep to me considering that I was only 2 months beyond the free return period and I was buying a much more expense set of speakers from them. Still, it was truly my fault for not taking care of this during the very generous 4 month trial period.
While debating my options (and continuing to try to decide if there even was an actual problem at all), I read something about Dirac room correction software. I already had a MiniDSP 2x4HD, and it could be downloaded as a software upgrade. Dirac is supposed to automatically measure and compensate for some of the acoustic flaws that all rooms have, but in some way that goes beyond a typical EQ, something involving phase and timing. It also allows manual tweaking of the target frequency response curve. I had played with making some eq-type changes using the MiniDSP parametric equalizer and REQ room acoustic analysis software, but that gets very complicated and I just didn't have that kind of time. The results I got from my brief efforts: meh. So, I ran the Dirac room correction on the stock/recommended frequncy curve, and it sounded better! After a couple weeks, ran it again and played with the frequency response curve to boost the bass a little (a lot!) more, and now it sounds exactly like I always wished it did. Exactly! I love the sound of everything it plays, now! Couldn't be happier. And I had no idea that I was a bass-head!