Well, i don’t even know what to ask. So I’ll ramble.
Let’s put aside the real discussion which is the basic merits of MQA, and accept it for what it claims to be; an improvement in digital coding ("better HD"). Not playback mind you, coding. Bob’s a smart guy, I do presume that there is something to MQA, but that's my opinion.
We will assume that HD differences, if they are audible, will be audible on better systems.
Yo note the OP has a top flight DAC. So that seems to be a good foundation for a appreciating HD coding, and specifically MQA. Again, MQA may be total BS or music’s savior - it doesn’t matter for now. But how on earth does having a good system make good source material less relevant?
Heck, I’d argue that all this talk about equipment misses the point -- the big differences are in recordings, masterings and pressings. And in rock, the state of the art has been low.
G
Let’s put aside the real discussion which is the basic merits of MQA, and accept it for what it claims to be; an improvement in digital coding ("better HD"). Not playback mind you, coding. Bob’s a smart guy, I do presume that there is something to MQA, but that's my opinion.
We will assume that HD differences, if they are audible, will be audible on better systems.
Yo note the OP has a top flight DAC. So that seems to be a good foundation for a appreciating HD coding, and specifically MQA. Again, MQA may be total BS or music’s savior - it doesn’t matter for now. But how on earth does having a good system make good source material less relevant?
Heck, I’d argue that all this talk about equipment misses the point -- the big differences are in recordings, masterings and pressings. And in rock, the state of the art has been low.
G