Having played through a few recordings that were pleasant but unexceptional, here's another one more than worth mentioning: Ignazio Albertini's Sonatas, performed by Helene Schmitt et al. Albertini is right up there with Schmelzer, Uccelini, Pandolfi, Walther, Viviani and Biber. Excellent recording, with nice variation between sonatas of violin + theorbo and organ and violin + harpsichord. On another of these "small" labels, Alpha.
Classical Music for Aficionados
I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.
I’ll start with a list of CDs. Records to follow in a later post.
Berlioz: Symphonie Fantastique. Chesky — Royal Phil. Orch. Freccia, conductor.
Mahler: Des Knaben Wunderhorn. Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev: Scythian Suite et. al. DG — Chicago Symphony Abbado, conductor.
Brahms: Symphony #1. Chesky — London Symph. Orch. Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova. Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.
All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.
I’ll start with a list of CDs. Records to follow in a later post.
Berlioz: Symphonie Fantastique. Chesky — Royal Phil. Orch. Freccia, conductor.
Mahler: Des Knaben Wunderhorn. Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev: Scythian Suite et. al. DG — Chicago Symphony Abbado, conductor.
Brahms: Symphony #1. Chesky — London Symph. Orch. Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova. Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.
All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.
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- 3877 posts total
@jcazador Jeremy I have just read your post about Arrau and Bach. Having famously said he deferred to the harpsichordists when it came to playing him he unfortunately relented and recorded some Bach before he died. Well it is sad to see ones heroes fail before your ears and I listened to him trying to play the partitas. I couldn't get by no 2 in B flat major as I was horrified to hear a man in his late eighties stumbling through them. I HAVE HEARD 2ND YEAR STUDENTS PLAY BETTER. Surely it was up to the recording company to hold it back and not release it as it sounds nothing like him. I am glad that Brendel retired when he did as he thought he wasn't playing as good as he once did, I really admire him for that. |
Opera lovers, you really must read this article and gaze at the set designs by Maurice Sendak, including for Magic Flute. Blake's influence very clear. If you are in NYC, go see the exhibition at Morgan Library. https://www.nybooks.com/daily/2019/08/29/maurice-sendak-center-stage/ |
- 3877 posts total