Ceramic insulator cone under phono stage shocker!


I have used small ceramic insulator cones underneath my phono stage for quite some time.
Previous phono was a Gold note ph10 and it did not make ANY audible difference I could detect which way up the cones were so I had left them cone upwards.

When I changed my phono to a Manley Chinook I just left the cones same way.
This afternoon I decided to flip them over so cone down just to see.

I honestly could not and cannot believe the difference!
I may have lost a smidge of low bass but everywhere else is improved in spades.
Much more detail, resolution, air, imaging, dynamics.
Just completely shocking how much better a small change has made.

But I am perplexed why such a huge change on the Chinook where I noted nothing on the ph10?

Any theories here?
uberwaltz
@slaw 

Thanks...I'm checking out your set up and consider the options.  I see you're fan of Symposium and BDR as well.  Appreciate your time weighing in.
@three_easy_payments, look into the Townshend Audio Seismic Corners, which are designed to be used under the four legs of a stand, to decouple it from the floor.
tep, shoot an email to John at selecthi-fi on ebay. He'll give you "best price" on all things Townshend.
uber, I may have missed this but I’ll ask.

When you conducted Al’s test and didn’t hear noise while tapping on the tubes, were your cones still in the downward position? If so and the cones are more effective that way, possibly that masked a bad tube? I’d reverse the cones and try the tapping test again. If any one tube is noisier than the others then replace it. If the difference in one or more tubes is marginal that may be obscured by vibrations.

Then with the replaced tube(s) if you turn the cones downward again you may have even less background interference and increased detail, resolution, etc.

I’m not certain of this but should be worth a try.