ESL57 vs ESL63


The 57’s are going for twice the price of 63’s.

i like the managable size of this speaker, this is really a part of my soon to be retirement built two channel system.

besides the price, how do these two fair amongst each other. Realistically how much power do the require, tubes ? Solidstate ?

my hope would be to also get into lower powered triode type amps with this projects.....

kgveteran
Can’t give you a comparison but the 57s needed a fair bit of SS power. I don’t think my Naim amps ever worked so hard before the Quads arrived.

After reading nothing but praise for them I went to a lot of trouble to get a pair but they didn’t stay long. Sure, with the right recording and the right alignment of the stars they might be capable of stunning vocal reproduction and imagery but...they do need a lot of fuss as well as lots and lots of space.

The final straw broke when I played some Rock through them and received an entirely lacklustre result. One for Classical and Opera fans foremost I think.

I never heard the 63s but did catch the updated 988s I think, (could have been the 989s) and once again was left feeling underwhelmed.

They do some things deliciously but don’t seem to be a speaker for all genres. Far from it.

On the plus side it was always easy to move them on as demand was always high. 
The 57's and 63's still hold their place as the very nearly best speakers ever! Peter Walker's marvels! I have two pairs of 57's. This gives me the option of stacking them for improved image height. Regarding power requirements, both the 57 and 63 work best with 25 to 50 watt amps. This rules out flea- watt SET's. A Dynaco ST70 is an excellent choice for either. Since both have quite extreme impedance curves (30 ohms to 1 ohm) a partnering amp should have a low output impedance (<1 ohm) for best response. Both are voltage-limited because of arcing (20 volts/50 watts for the 57's, 30 volts/90 watts for the 63's). Because of these limits there is no need for high-power amps (risk of damage to the Mylar diaphragms). 
I have a variety of tube and SS amps to use with my 57's: Dynaco ST70, Heath W5's, Golden Tube SE40, Futterman H3 and H3aa's, Quad 303, 50's, 405, GAS Son and Grandson, BEL 1001 ...
I bought my first pair of 57's back in 1981 and kept them in use until 2000. After my move down south in 2015 I purchased two pairs - the prices were right! One pair from Rhode Island, one from England. Yes, the 57 ESL is a speaker that one develops a romantic attraction for!
I can't help but feel that most of the mythology around the Quads originated from the high regard held by his contemporaries for the great man himself, Peter J Walker.

Box/cone loudspeaker manufacturers must have been alarmed upon the arrival of this new technology, but as we have seen, electrostatics were not the future road forwards but merely a sideline.

It's also interesting that although Walker himself believed the 63s to be superior it was the ESL that passed into Hi-Fi legend.