Thiel Owners


Guys-

I just scored a sweet pair of CS 2.4SE loudspeakers. Anyone else currently or previously owned this model?
Owners of the CS 2.4 or CS 2.7 are free to chime in as well. Thiel are excellent w/ both tubed or solid-state gear!

Keep me posted & Happy Listening!
128x128jafant
Not at all safe. Thiel tweeters are not ordinary in that Thiel demands response down below 200Hz. Please find out from Rob and let us know here for our records.
Kenazfilan - about doubled up speakers for a bi-pole. Today I gave the configuration a whirl with 2 pairs of CS2.2s back to back. I am driving with a pair of Classe DR-9s and Benchmark AHB-2s both at 100 wpc/8, both bridged to mono. 4 amps into 4 speakers. The back pair is driven by a PS Stellar Pre with remote volume control to bring up the back channels to suit. At some point of about equal loudness back and front, the sound takes 3-D form and moves back between the speakers and wall. The effect is delightful and doesn't seem to harm image specificity. The bass especially becomes big and round and clean.

Since for the same volume level, each speaker is working half as hard, distortion is undoubtedly lower; and since the point source patterns are reinforcing each other front to back, a quasi hemispherical wave-front is being launched. For those who love omnidirectional launch, this is a wonderful way to get it.

For fun, I reversed polarity of the back speakers (a button on the PS remote) which produces a di-pole pattern like a planar speaker. Indeed I got the phasey boundary effect. Back in bi-pole, the speakers just sound bigger. I suspect my room might be easier than some for this use. My walls are soft with lots of diffusion and little in the way of standing waves because 2 walls are sonically fairly transparent into a much larger space. The coupled bass from 4 speakers allowed me to pull the speakers about 6' from the front wall to image like champs while maintaining plenty of bass.

Fun at the end of the day.
tomthiel
Thank You for the update. Good to read that your pair of DR-9s are back and ready for action!  I know you were doubting if they would return operational.  There are many fans of the Classe' brand here. Feel free to give a shout-out for the repair/service Expert.
Happy Listening!
Jafant - The amps have been struggling for over a year and are indeed back home in fine fittle. The first tech made a mess of it, changing some cap values, mis-regulating and stressing some circuits. The second outfit came highly recommended as a warranty repair center for McIntosh among others. But their senior tech who could make sense of the mess was out for extended medical leave; and on return was buried in urgent backlog work. BUT, he went through both amps and got everything into synchronicity and they do sound good.

So, the DR-6 and 9s are like new, which is really quite good. My comparisons are the class A Benchmark AHB-2s and the Adcom GFA555II which I bought for entry level benchmarking. The Adcom really trails far behind in all audiophile ways, even though fairly well regarded in its time. The Classe and Benchmark are remarkably similar. I don't hear the "darkness" often attributed to the Classe. However I do hear a bit of gritty, dry hashiness in the Adcom (also repaired and tested as good.)
Now with 4 bridged amps / 8 channels available, I can make real time comparisons with 4 speakers under test - what joy. I'll get to some progress reports when the legal matters are finalized.
tomthiel
It is imperative to post both negative and positive experiences when dealing with these repair operations/techs.  We would not want other Audiophiles to have the same misfortune(s). 

I am looking forward in reading more about the Adcom/Benchmark/Classe'
shoot-outs.
Happy Listening!