Warm Class D for horns?


Hello to all,

Recently  was researching about the evolution of class d amplifiers, for what I understood the most advances around are the Hypex N Core, ICE, Pascal, and appears that also some manufacturers are developing their own Class D amps, like Spec from japan for example and Devialet from France for example..

I understood this right? This is what is happening?

The whole point of make evolving the Class D amplification is to make they sound more warm?

I'm panning to build a 3 way loudspeakers, radial horn, super horn tweeter, and woofer, at first I was considering just use Class D for the 12" woofer, but what about Class D amp for the horns and super tweeter, anyone using?

Let's talk about this, would like to know more how Class D evolved over the years and who are the manufacturers that are on the vanguard fo design of this amplification topology...

Oh.. Class D analog, Class D digital... never found a consensus, if Class D can be analog to..

Thanks!
128x128cosmicjazz
I have Bruno Putzey's Mola Mola Kaluga and Makua for sale on US Audio Mart.  Class D at its finest.  They are brand new and never used.  I just listed them.  You may want to read about them. 
wondering till this days horn speakers enthusiasts do not use class d, just for the woofers, but not with the horns...
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I have a pair of Jeff Rowland 535 class D amps, bridged to mono, driving a pair of Totem Forest Signatures. Voicing is virtually identical to the 25 year old, class A/B Rowland Model 2 that they replaced. I would call them neutral, neither warm nor bright, but rich and detailed. The scale of imaging is astounding. Enormous and specific. There are times when it wraps almost completely around me.