David_ten.....
Thank you sir and I’m happy for you! As we know it’s not just finding the right piece but getting it to work in synergistic harmony with the other pieces and room.
I was lucky enough to be able to put this system together but maybe more lucky in that my listening room works without a lot of intervention. It’s 15’ x 13’ with a 9’ symmetric but odd shaped ceiling. The front of the Nenuphar are 60" from the front wall, 7’ center to center. Listening position, ears 7’ from each cone. Toed in a bit, but aimed behind me, off each shoulder. I experimented extensively. Srajan’s advice regarding these speakers toe in proved true. It’s a largish near field setup but works very well.
I was just listening to my new MA records LP of Nima Ben David’s "Resonance". I think it must be the among the most beautiful recordings I’ve ever heard. She plays the viola de gamba. A Renaissance pre cello instrument with 6 or 7 strings that has serious bass range.
Thank you sir and I’m happy for you! As we know it’s not just finding the right piece but getting it to work in synergistic harmony with the other pieces and room.
I was lucky enough to be able to put this system together but maybe more lucky in that my listening room works without a lot of intervention. It’s 15’ x 13’ with a 9’ symmetric but odd shaped ceiling. The front of the Nenuphar are 60" from the front wall, 7’ center to center. Listening position, ears 7’ from each cone. Toed in a bit, but aimed behind me, off each shoulder. I experimented extensively. Srajan’s advice regarding these speakers toe in proved true. It’s a largish near field setup but works very well.
I was just listening to my new MA records LP of Nima Ben David’s "Resonance". I think it must be the among the most beautiful recordings I’ve ever heard. She plays the viola de gamba. A Renaissance pre cello instrument with 6 or 7 strings that has serious bass range.