Schiit Freya S or Freya +?


Hello,

What are the sound characteristics of the Freya preamps? Is there a big difference in sound between the Solid state Freya S and the Tube Freya +.
How is bass on both?
My system consists of Aerial 10T speakers with Bel Canto Ref 1000 mono-blocs. Source component is an Oppo 105D player.
alpha3
There is an audiophile on youtube that reviewed the original Freya.  He goes by the handle "Thomas & Stereo" and thinks the Freya gives him 90% of what his $3500 preamp does, at 1/5th the price.

https://www.youtube.com/watch?v=LwMXMtSprxI

Now the Freya+, with several refinements and spec improvements will do even better than that.  I don't have deep pockets for audio these days, but I'll be picking up the Freya+ by the end of the year.  I really don't think one can go wrong with either Freya version, but I want the XLR connections for my Gungnir DAC.  
I have the original Freya which offers three choices: passive, JFET buffer, and tubes with 12 dB gain. My source is the Oppo 103 out to a Schiit Modi Multi DAC. I MUCH prefer the tubes. Highly recommend the Freya. It makes MUSIC.

Tom
I like to roll through the 3 output options on my "original version" Freya from time to time although it's in the tube mode normally...it's a way to see if your tubes are in good shape, and that's possible instantly on my Freya. To satisfy some critics, Schiit decided to allow the tubes to be shut off in the non tube modes with the Freya +, allowing the thing to be on without tube wear...I suppose that's a good idea to many, but it eliminates my instant mode switching thing, and helps my decision to not upgrade! My Freya is already very quiet in tube mode, and although I'd buy a Freya + if I needed another system, I like the one I have just fine. Nothing like it out there at any price...I do wonder why anybody wouldn't spend the extra 200 bucks over the Freya S since it actually won't burn tubes or whatever people worry about, but hey...to each his or her own I suppose.
I went with the Freya S. It arrived yesterday afternoon. Here’s couple quick impressions. So, it’s been on for a bit over 24 hours. A bunch of internet radio and selections from the music library along with 4 episodes of Monk have been run through it. The interconnect for the output of the Freya S has been sitting dormant for a number of years so I’m sure it’s going through some settling in itself.

So far I’m pleased. The Freya S started opening up and blooming a bit a couple hours ago. Many things are an improvement over the pre section of the NAD C320BEE. There is excellent detail, tone and timbre and very good dynamics. The micro detail and ambient retrieval is great and music sounds very natural.

The C320BEE on its own has a bit weightier, slightly warmer and a slightly bigger sound to it and the music is a bit more artificial and mechanical. There is a slight veil and graininess to it.  The Freya S on the other hand is smooth and refined. Brass and cymbals sound real and less splashy and more like brass. The one reservation I have at this early stage is that I want the Freya to open up a bit more and flesh out a bit from the lower mids through the bass.

I am impressed with the build quality and look of the Freya. It’s very well made. The relay switch volume control is excellent, just excellent. Perfect tracking and such fine adjustments to get the perfect volume you desire. Of course it has those infamous clicks people talk about. I happen to love it but my wife and daughters are not fans.:-)

I’ll add some more impressions after the Freya S has had a few more days of settling in. 

Cheers,

Scott