Journey- “Don’t Stop Believin’”
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- 232 posts total
Ok, 16f4 wins for a moment (and we all lose). 1-877-KARS...must be the ultimate parasite of a song but it has been done so well that it crossed into the art. For anyone annoyed by Seasons in the Sun (by Terry Jacks, I suppose), try Le moribond by Jacques Brel. The same song that Brel actually wrote. https://www.youtube.com/watch?v=h02pNUKInBo |
But Joe Queenan may have said it best: “For years, I'd been vaguely aware of Michael Bolton's existence, just as I'd been vaguely aware that there was an ebola virus plague in Africa. Horrible tragedies, yes, but they had nothing to do with me. All that changed when I purchased a copy of The Classics. When you work up the gumption to put a record like The Classics on your CD player, it's not much different from deliberately inoculating yourself with rabies. With his heart-on-my-sleeve appeals to every emotion no decent human being should even dream of possessing, Michael Bolton is the only person in history who has figured out a way to make "Yesterday" sound worse than the original. He's Mandy Patinkin squared. His sacrilegious version of Sam Cooke's "Bring It on Home to Me" is a premeditated act of cultural ghoulism, a crime of musical genocide tantamount to a Jerry Vale rerecording of the Sex Pistols' "Anarchy in the UK" And having to sit there, and listen while this Kmart Joe Cocker mutilates "You Send Me" is like sitting through a performance of King Lear with Don Knotts in the title role. Which leads to the inevitable question: If it's a crime to deface the Statue of Liberty or to spraypaint swastikas on Mount Rushmore or to burn the American flag, why isn't it a crime for Michael Bolton to butcher Irving Berlin's "White Christmas"?” |
- 232 posts total