I have never owned or heard an Ikeda tonearm other than those made under the Fidelity research label. However my FR 64S tonearm with “silver inside” mounted in a B60 base on a custom heavy metal tonearm mounting board continues to be the best sounding tonearm that I own with any cartridge I choose, regardless of compliance. Currently using a 10g carbon fiber headshell as recommended by Halcro. I would be tempted to get it re-wired with “new” silver, but I am loathe to part with it even for the length of time needed to get the work done.
FR66s vs Ikeda IT-407 CR tonearms
Has anyone compared the FR66s to the newer Ikeda IT-407 CR1 tonearm? Any thoughts? In previous years, the Ikeda was available with either copper or silver internal wiring but the recent models don't mention anything about the tonearm wiring. Can anyone comment what type of wiring is used in the latest editions? It would seem intuitive that the later Ikeda IT407 should be a better performer than the FR66s having improved material and bearings over the FR66s but the proof is in the hearing.
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- 111 posts total
Am i correct that IT-345 and IT-345 CR-1 are two different versions? The Ikeda IT-345 is from the mid 90's: ■ Price: 210,000 yen (in 1996) ■ Arm base hole: 31 mm ■ With anti-skate device
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Maximum mounting thickness 35mm |
My Ikeda IT-345 tonearm has arrived, matte finishing, not a CR-1. Arm tube is stainless steel. Everything about this model is great, my first impression is very positive about every part of this tonearm. Actually i feel that it is better made than my FR-64s sample. It is a third model of FR/Ikeda in my collection: 64fx, 64s and now IT-345 |
- 111 posts total